Comfortable, Accurate Mix Headphones
Like the NS-10s before them, Yamaha’s HPH-MT5 Studio Monitor Headphones are designed to cast a white-hot spotlight on the problem areas of your audio. From the studio to the stage, these high-performance cans will help put the finishing touches on your mixes and paint your source material in a realistic light. Yamaha HPH-MT5s are loaded with full-range 40mm neodymium dynamic drivers for accurate sound reproduction across the entire audible spectrum. Their comfortable ABS headband, ear cups, and pads are designed to stand up to long mixing hours. The Yamaha HPH-MT5s include a carry bag, 10-foot detachable cable, and 1/4″ adapter.
Closed-back, circumaural design
There are two factors at play here: the closed-back earcups, and a circumaural (around-the-ear) design. The closed backs mean that your Yamaha HPH-MT5 Studio Monitor Headphones offer increased isolation from outside sources, suiting them to stage use where you’re surrounded by loud audio. Their circumaural design means they seal around the ears to create the big bass needed for mixing applications.
Should I mix with headphones?
Monitoring in a reliable, treated environment with speakers you trust is always going to trump mixing on headphones. But today’s mixing headphones have gotten so advanced that, for audio folks without a great room and reliable speakers, they’re sometimes a better alternative. Take the Yamaha HPH-MT5s. These headphones are built for mixing from the ground up. Their drivers and ear cups have been designed to eliminate extraneous resonance, ensuring that what you hear in your HPH-MT5s remains true to the audio source. Headphones also have the added advantage of being portable — mix at the beach or at the coffee shop if you feel so inclined.
Business or pleasure?
Making great mixes means getting your hands dirty. That means hearing things that are sometimes unpleasant — room peaks, bass buildup, shrill sibilance, noisy guitar amps, and so on. As a result, the Yamaha HPH-MT5s are not top recommendation for pleasure listening. But if you’re looking to make solid mixes that translate from system to system, they should be high on your list.
Yamaha HPH-MT5 Studio Monitor Headphones Features:
Finish: Black
Specially designed for mixing
Shed light on the problem areas of a mix
Suited for the stage or studio
40mm CCAW neodymium drivers reproduce the entire audible spectrum (20Hz-20kHz)
Comfortable design — built for long mixing sessions
Closed backs — provides isolation from outside sounds
Circumaural design — seals around the ear for deep, accurate bass
Ear cups flip up for one-on, one-off monitoring
Impedance: 51 ohms
Sensitivity: 100 dB/mW
Cable Type: Straight
Replaceable Cable: Yes
Cable Length: 9.8 ft.
Plug Size: 1/8″, 1/4″ adapter
Weight: 0.5 lbs.
Includes a carry bag, 10-foot detachable cable, and 1/4″ adapter

IBANEZ GRG170DXL-BKN LH BLACK NIGHT
YAMAHA PACIFICA 112JL MKII YELLOW NATURAL SATIN LEFT HANDED ELECTRIC GUITAR
DADDARIO ACCESSORIES FINGER PICKS LARGE 5 PACK
SHURE BETA58A
TAYLOR 412CE V-CLASS
DUNLOP 227SI CONCAVE BRASS SLIDE
TAYLOR 312CE V-CLASS GRAND CONCERT
DADDARIO ACCESSORIES VARIETY HEAVY GUITAR PICKS 5-PACK
STAGG KEBA20 KEYBOARD BENCH
DUNLOP 218SI MEDIUM/SHORT SIZE HEAVY WALL GLASS SLIDE
YAMAHA YSS 82ZRS CURVED CUSTOM SOPRANO SAX SILVER PLATED
YAMAHA CPX 700II BL
DUNLOP 88B CLASSIC TRIGGER CAPO
YAMAHA APX 700II VS
TAYLOR K24CE KOA
K&M 16295 WALL MOUNT FOR ELECTRIC GUITAR
TAYLOR 818E GRAND ORCHESTRA
STAGG SCPXCUCR CURVED TRIGGER CAPO CHROME FOR ACOUSTIC OR ELECTRIC GUITAR
ERNIE BALL .018 RPS PLAIN SINGLE STRING
YAMAHA AC3MARE TBS
YAMAHA APX 700II BL
AHEAD STICK TIP BALL
STAGG MUSARM2 LARGE MUSIC STAND PLATE
AKG MPA V-L PHANTOM POWER ADAPTOR
FENDER CLASSIC SHELL PICK PACK 12PCS MEDIUM
STAGG MUSA4BK MUSIC STAND
IK MULTIMEDIA IRIG UA
TAYLOR 11/16 GUITAR SLIDE EBONY
K&M 215 THREAD ADAPTER
STAGG SCL60 CLASSICAL GUITAR LEFT-HANDED NATURAL
DADDARIO ACCESSORIES PICK
YAMAHA APX 700II SB
K&M 85050 MIC CLAMP
TAYLOR 614CE V-CLASS
SHURE A2WS-BLK
TAYLOR 612CE V-CLASS
FENDER TIM ARMSTRONG HELLCAT 12
YAMAHA APX 700IIL
IK MULTIMEDIA IRIG 2
ROLAND RUBIX24 USB AUDIO INTERFACE
FOCUSRITE SCARLETT SOLO STUDIO PACK 4TH GEN
DUNLOP 220SI CHROME SLIDE MEDIUM
SQUIER CLASSIC VIBE '70S JAZZ BASS LEFT-HANDED BLACK
DUNLOP 84FB ACOUSTIC TRIGGER CAPO
YAMAHA AG03MK2 LIVE STREAMING MIXER AND USB AUDIO INTERFACE WHITE
DUNLOP 229SI SHY SLIDE
STAGG SHOMOH SHOCK MOUNT
STAGG FPSM FINGERPICKSET MEDIUM
TAYLOR 214CE LEFT HANDED
YAMAHA YSS 875EXB EX CURVED CUSTOM SOPRANO SAX BLACK
K&M 14044 STOOL BLACK FABRIC
TAYLOR 110E
LINE 6 RELAY G10II DIGITAL WIRELESS GUITAR SYSTEM
SHURE A58WS-BLU
SHURE SM63L OMNIDIRECTIONAL DYNAMIC REPORTER MICROPHONE
IBANEZ PF15-12 STRING NATURAL ACOUSTIC GUITAR 