Take the stage by storm
As an electric guitarist in the 1980s, if you wanted to play acoustic on stage there were few options for you that really worked. In 1987, Yamaha made the first acoustic guitar that could be taken from a guitar rack, plugged in and played at volume, problem free; no more howling feedback, misplaced mics or the dreaded extended sound check….
The APX series didn’t just focus on sound – every element was tweaked to be an easy switch for an electric player on-stage, from the stylish finishes to the cutaway body and the slim, electric-guitar style neck.
In any electro-acoustic, the combination of the guitar’s acoustic sound and its pickup is the heart of the sound. The latest APX600 features a unique undersaddle piezo pickup, Yamaha’s proprietary Pickup-R transducer – the same pickup as featured in the highly acclaimed A Series range and boasting incredible dynamic range, natural tone and the feedback rejection and mix-friendly sound that guitarists need and want. Yamaha’s legendary active preamp is still a big feature of APX, and being built by Yamaha’s audio-visual division, the sound quality is everything you’d expect from the world’s number one.
Styles have changed a little since 1987, but the essence of APX is the same as ever. Today’s APX guitars boast a more natural look, 5mm deeper body for better bass response and greater volume and, under the hood, a new non-scalloped bracing pattern for a responsive, dynamic tone.
The archetypal APX, the 600 series combines the outstanding comfort and perfect on-stage tone of the APX500 with
Thin Body and Cutaway For Excellent Playability
634 mm Scale Length for Enhanced Comfort
Narrower String Spacing Makes Stretching for Chords Easier
New Bracing Pattern For More Powerful Bass Response
Stage-focused Pickup Sound to Cut Through a Mix
Inlaid Soundhole Rosette
SPECS
Body Shape: APX Shape
Scale Length: 634 mm (25”)
Body Length: 490 mm (19 5/16″)
Total Length: 1022 mm (40 1/4″)
Body Width: 384 mm (15 1/8″)
Body Depth: 80-90 mm (3 1/8″ – 3 9/16″)
Nut Width: 43 mm (1 11/16”)
String Spacing*: 10.0 mm
Top Material: Spruce
Back Material: Nato
Side Material: Nato
Neck Material: Locally Sourced Tonewood**
Fingerboard Material: Rosewood
Fingerboard Radius: R 400 mm (23 5/8″)
Bridge Material: Rosewood
Nut Material: Urea
Saddle Material: Urea
Bridge Pins: Black ABS with White Dot
Tuners: Die-cast Chrome (TM29T)
Body Binding: Ivory + Black
Soundhole Inlay: ABS + Abalone
Pickguard: None
Body Finish: Gloss
Neck Finish: Matt (Gloss for BL, VW color variation)
Electronics: SYSTEM65 + SRT Piezo Pickup
Controls: Vol/3-band EQ/Tuner/Mid FQ
Connections: LINE OUT
Strings: .012/.016/.024/.032/.042/.053
Accessories: Hex Wrench, 2 x AA Batteries
Case: Not included

K&M 16240 KITARR WALL MOUNT MUST
YAMAHA FLEXIBLE CLEANING BRUSH (L)
YAMAHA YBB 621S PROFESSIONAALNE BB TUBA SILVER PLATED
AHEAD STICK TIP SAT
AKG WMS40 MINI DUAL VOCAL & INSTRUMENT KOMPLEKT ISM2/3
ROLAND SPD-ONE TRUMM PAD KICK
AKG C520 PROFESSIONAALNE HEAD-WORN CONDENSER MIKROFON + STANDARD XLR CONNECTOR
YAMAHA PM7X SILENT BRASS MUTE FOR TRUPMET JA KORNET, MUTE ONLY.
MEINL NINOADJ3XS WOOD DJEMBE
YAMAHA SB1J SILENT BRASS FOR TUBA
YAMAHA YBB 632S NEO SEERIA BB TUBA SILVER PLATED
HOHNER SPECIAL-20 CLASSIC E-MAJOR
PRESONUS AUDIOBOX USB 96 2X2 USB 2.0 / 96KHZ, W/ 2 MIKROFON INPUTS, STUDIO ONE ARTIST - 25TH ANNIVERSARY
DADDARIO ACCESSORIES DGS15 ACOUSTIC QUICK RELEASE
MEINL SH5R STUDIO SHAKER
ORTEGA ÕPILASSEERIA 1/2 KLASSIKALINE KITARR NATURAALNE
VIC FIRTH 2BN AMERICAN KLASSIKALINE NAILON TIP
HOHNER MARINE BAND 1896 A-MAJOR SUUPILLID
HOHNER BLUES HARP A-MAJOR SUUPILLID
HARTKE KICKBACK15 BASS COMBO KB15
HOHNER MARINE BAND CROSSOVER E-MAJOR SUUPILLID
FENDER VENICE SOPRAN UKULELE CHERRY
TAKAMINE EF341SC AKUSTILINE KITARR 
