The PRS A40E is an astonishing acoustic built on all of what PRS have learned since they started making acoustic guitars back in 2011. Using ovangkol back and sides with a solid Sitka spruce top this is great all rounder guitar that can cover a wide range of styles.
Tonewoods
The A40E uses a tonewood combination of a solid Sitka spruce with ovangkol back and sides. Ovangkol is a similar tonewood to rosewood but doesn’t come with the sustainability issues and CITES import restrictions. Like rosewood, Ovangkol has a broad dynamic range but with slightly more midrange emphasis. This is complemented by the the Sitka spruce top which has a very balanced and consistent tone. It’s this combination of tonewoods that makes the A40E such a versatile guitar.
To get the most out of these woods PRS have used their own X/Classical bracing pattern on the top. This tweak to the bracing pattern results in more flexibility for the top to resonate which at the end of the day means more volume and a more defined, full tone that gets the best out of the locked down ovangkol back and sides.
All PRS SE acoustics have mahogany necks with ebony fretboards for great stability and resonance.
Angelus Body
The Angelus is PRS’s take on a classic cutaway body shape. It’s a comfortable mid-sized body that isn’t so large that it’s unwieldy to play and not so small that you don’t get a full sound when you want to start strumming. You also get great upper fret access thanks to the cutaway for when you want to hit those high notes. Like the tonewoods, this body shape lends itself to a wide variety of playing styles and genres.
Fishman Pickup
Every guitar in the PRS SE Acoustic range comes fitted with a Fishman GT1 pickup. This sits under the saddle of the guitar and feeds off to controls that sit just under the soundhole for quick and seamless changes while playing.
Bone Nut and Saddle
If you follow Paul Reed Smith at all you know his philosophy for building acoustic guitars. That it is a ‘subtractive’ instrument meaning that everything on the guitar isn’t adding more tone, or sustain, it is just subtracting less.
Anything that touches the string has the ability to subtract more sustain or tone from your guitar so they have made sure that these guitars are fitted with bone saddles and nuts for the best possible sound. You won’t find this on many instruments at this kind of price.
PRS Acoustics
Since 2011 PRS have dedicated a large department to not only creating great acoustic guitars but also innovating what we thought possible with the acoustic guitar. By going back and looking at some of the oldest available acoustic guitars to what the best of the best are making today, they have created a few innovations that make an incredible guitar.
From Private Stock to SE every acoustic they make is made with a purpose, nothing is done just because that is what everyone else does. They have thought through every combination of woods, shape, bracing, electronics to come up with what they feel is the best acoustic they can make at a price a lot of people can afford.
Specifications
Body
- Top Wood: Solid Sitka Spruce
- Middle Wood: Ovangkol
- Back Wood: Ovangkol
- Body Shape: Angelus Cutaway
- Body Depth at Neck Block: 3 19/32”
- Body Depth at Tail Block: 4 3/8”
- Bracing: PRS Hybrid “X”/Classical Bracing
- Body Purfling: Tiger Acrylic
- Body Binding: Cream
- Rosette: Tiger Acrylic, Cream/Black
Neck
- Number of Frets: 20
- Scale Length: 25.3”
- Neck Wood: Mahogany
- Neck Shape: Wide Fat
- String Spacing: 2 7/32”
- Fretboard Wood: Ebony
- Fretboard Inlay: Birds
- Fretboard Radius: 11.81″
- Strength/Truss Rod: Adjustable
- Neck Depth At The Nut: 7/8”
- Width of Fretboard at the Body:2 9/32″
- Width of Fretboard at the Nut: 1 11/16″
- Nut: Bone
Hardware
- Bridge Wood: Ebony
- Tuners: PRS-Designed
- Acoustic Saddle: Bone
- Strings: 12-53
- Included Accessories: PRS Hardshell Case
Electronics
- Acoustic Electronics: Fishman GT1

MEINL RE12 REPINIQUE
JACKSON JS SEERIA DINKY ARCH TOP JS24 DKAM TACHE ROUGE
STAGG MIS0822BK POOMIGA MIKROFONI STATIIV MUST
YAMAHA PACIFICA 212VQMCBR QUILTED VAHER CARAMEL PRUUN
VIC FIRTH 2B AMERICAN KLASSIKALINE WOOD TIP
YAMAHA YTR 4335GSII BB TROMPET SILVER PLATED
K&M STACKER FOR 18950
DUNLOP FORMULA 65 MAINTENANCE KIT
GIBRALTAR 7614 ORCHESTRA CYMBAL SPECIAL STATIIV
DADDARIO EPN120 PURE NICKEL
ERNIE BALL .042 EARTHWOOD ÜKSIK KEEL
D'ADDARIO MICRO RECHARGEABLE TUNER
HANNABACH 500HT HARD TENSION KEELED KLASSIKALISELE KITARRILE
YAMAHA JR2 AKUSTILINE KITARR TOBACCO BROWN SB
K&M 101 NOODIPULT MUST
FENDER MUSTANG GTX50 KITARR COMBO
FENDER TOOLED LEATHER KITARR RIHM MUST
YAMAHA YTR 2330S BB ÕPILASE TROMPET HÕBEDANE PLATED + SOFT KOTT
STAGG NGC-3R N SEERIA INSTR. KAABEL
DADDARIO ACCESSORIES PICK HOLDER
YAMAHA POLISHING GAUZE (L)
MEINL MDOB DOUMBEK KOTT MEDIUM
AHEAD STICK TIP MBT
DADDARIO KAPLAN VIVO KV310 4/4M VIIULIKEELTE KOMPLEKT MEDIUM
K&M 18880 TABLE STYLE KLAHVPILLI STATIIV MUST
VOX VX15 GT KITARR AMPLIFIER
TAKAMINE GD71CE-NAT AKUSTILINE KITARR
TAYLOR 110E
ROLAND HP702 DIGITAALNE KLAVER CHARCOAL MUST
STAGG NGC-3PLR N SEERIA INSTR. KAABEL
PROSS KÕLAPLAAT BB2
K&M 16280 KITARR WALL MOUNT MUST
YAMAHA PSR-F52 SÜNTESAATOR 61 KLAHVIGA
PROMARK FORWARD 5B ACTIVEGRIP ACORN
YAMAHA TRBX174 MUST
KLOTZ M1 MIKROFON KAABEL BK 15M XLR-XLR
YAMAHA TRBX174 OVS
FENDER PLAYER SEERIA STRATO MN BCR
YAMAHA YCR 4330GII KORNET
PROSS KÕLAPLAAT C#2
DADDARIO ACCESSORIES 50PLB01 PLANET LOCK BLACK SATIN
YAMAHA TR13B4 TROMPETI HUULIK
TAYLOR K24CE KOA
TAYLOR 812CE 