Building on the reputation of its award-winning predecessors, the Eris® Studio 5 is a substantial update that delivers richer low-end and more controlled high-frequency response, reproducing every detail in your recordings with a natural sound unparalleled in its class.
The Eris® Studio 5 delivers up to 102 dB of crystal-clear, transparent sound with its 5.25-inch woven-composite low-frequency driver and 1-inch silk-dome tweeter, powered by 80W Class AB biamplification. The ported enclosure creates a deep, tight low end, while an EBM waveguide provide a wide, controlled sweet spot and detailed high-frequency reproduction. Designed for superior performance in both home studio and small professional mix rooms, the Eris Studio 5 combines flexible connectivity with sonic accuracy that puts it a class all its own.
Building on the reputation of its award-winning predecessors, the Eris® Studio 5 is a substantial update that delivers richer low-end and more controlled high-frequency response, reproducing every detail in your recordings with a natural sound unparalleled in its class.
The custom-designed EBM (Elliptical Boundary Modeled) waveguide provides superior high-frequency response and wide 120-degree horizontal dispersion to create a broad sweet spot. Narrow vertical dispersion reduces reflections from your desk, and a silk-dome tweeter ensures snappy, accurate transient reproduction. An elegant new enclosure design improves the waveguide performance so you’ll hear the finest details in your mix.
The woven-composite low-frequency driver offers Eris’ signature tight, clear bass, with plenty of punch. The ported enclosure and 80W of biamped power maximizes bass response and allows the Eris Studio 5 to reach down to an astonishing 48 Hz – without a subwoofer. Designed for superior performance in both home studios and professional mix rooms, the Eris Studio 5 combines flexible connectivity with sonic accuracy that puts it a class all its own.
- Acoustic Tuning controls: HF (±6 dB, continuously variable); Midrange (±6 dB, continuously variable), and Acoustic Space (flat, -2, -4 dB), plus highpass filter (Off, 80 Hz, 100 Hz)
- RF interference, output-current limiting, over-temperature, transient, subsonic protection and amplifier “soft start” feature (eliminates popping on power-up)
- Internal power supply with IEC connector and power switch with on/off LED
- Balanced XLR and ¼-inch inputs and unbalanced RCA inputs
FEATURES
- 5.25-inch woven composite low-frequency driver
- 1-inch, ultra-low mass, silk-dome, high frequency driver
- Crossover Frequency, 3.5 kHz
- 120˚ x 60˚ EBM waveguide provides a sweet spot
- Front-firing acoustic port for superior bass-frequency reproduction and optimized, resonance-suppressing internal bracing
- 80W, Class AB dual amplification
- 48 Hz to 20 kHz frequency response
- 102 dB Peak SPL (@ 1 meter)
- Acoustic Tuning Controls:
- Acoustic Space (Flat, -2 dB, -4 dB)
- High Frequency (±6 dB, center 10 kHz, continuously variable)
- Mid Frequency (±6 dB, center 1 kHz, continuously variable)
- Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)
- Inputs:
- XLR and 1/4-inch TRS balanced rear-panel inputs
- RCA unbalanced rear-panel inputs
- Protection:
- RF interference
- Output-current limiting
- Over-temperature
- Turn-on/off transient
- Subsonic filter
- Power Saver mode (engages after 40 minutes)

PROTECTION RACKET 9113 DJEMBE BAG
ERNIE BALL COATED SLINKY ELECTRIC 12-56
EVANS 16 GENERA G1 COATED TOM HEAD
EVANS 20 EMAD2 CLEAR BATTER HEAD
YAMAHA DTX10K-X BF ELECTRONIC DRUM KIT TEXTURED CELLULAR SILICONE PADS BLACK FOREST
KLOTZ M1 MIC CABLE BK 15M XLR-XLR
MEINL NINOADJ3XS WOOD DJEMBE
EVANS 16 GENERA G2 COATED TOM HEAD
TAMA DYNA-SYNC DOUBLE PEDAL
PROTECTION RACKET 1423-00 BASS DRUM CASE
HARDCASE 18"FLOOR TOM CASE
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ERNIE BALL 6-STRING SLINKY BASS 32-130
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PRESONUS ERIS E66 HIGH-DEFINITION 2-WAY 2X6.5" MTM NEAR FIELD STUDIO MONITOR ( 1 piece) 