Audio-Technica AT875R Shotgun Microphone
Audio-Technica’s AT875R is designed for video production and broadcast (ENG/EFP) audio acquisition. Audio-Technica’s shortest shotgun microphone mounts conveniently on a DV camcorder without adding noticeable heft, and is ideal for use with compact digital cameras. This high-performance microphone offers a narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of the mic.
- Extremely short in length (under 7″/175mm), ideal for use with compact digital cameras and broadcast (ENG/EFP) audio acquisition
- Provides the narrow acceptance angle desirable for long-distance sound pickup
- Ideal for mobile applications and corporate reports
- Very light, it is easily mounted on a compact camera or digital video camera equipped with an XLR input with phantom power or when connected to a microphone preamp orA
- recorder that can supply the microphone
- Excellent sound rejection from the sides and rear of the mic
- Very balanced frequency response with a slight bump at 5 kHz
- Tailored response minimizes camera and handling noise
- Operates on phantom power only
- Comes with a foam windscreen, a stand clamp, two O-rings, and a soft carry case
SMALL BUT ROBUST
The AT875R weighs only 80g, and at a length of 175mm, it is one of the shortest shotgun microphones on the market with professional sound quality. Made from metal, its inherent robustness allows it to follow you on the ground.
IDEAL FOR USE ON BOOMS
As boom operators are well aware, the weight of a microphone is paramount. The AT875R is the most affordable universal solution. Equipped with its clamp with a screw thread adaptor, it installs very quickly on a boom or on a microphone stand, and at 80g, you would almost forget it was there!
EXCELLENT OFF-AXIS REJECTION
The very thin shape provides a narrow acceptance angle of 60°, while maintaining excellent rejection of off-axis noise. The AT875R guarantees you precise audio capture with great intelligibility.
SPECS
Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Line + gradient
Frequency Response: 90-20,000 Hz
Open Circuit Sensitivity: -30dB (31.6mV), re 1V at 1 Pa
Impedance: 100 ohms
Maximum Input Sound Level: 127 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: 107 dB, 1 kHz at Max SPL
Signal-to-Noise Ratio: 74 dB, 1 kHz at 1 Pa
Phantom Power Requirements: 11-52V DC, 2 mA typical
Weight: 80 g
Dimensions: 175.0 mm (6.89″) long, 21.0 mm (0.83″) diameter
Output Connector: Integral 3-pin XLRM-type
Accessories Included: AT8405a stand clamp for 5/8″-27 threaded stands; 5/8″-27 to 3/8″-16 threaded adapter; windscreen; soft protective case

MEINL JUMBO BASS CAJON MAPLE FRONTPLATE
VOX VT 20X GUITAR COMBO
FENDER CLASSIC SHELL PICK PACK 12PCS MEDIUM
SHURE SM58LCE DYNAMIC MICROPHONE
ADAMS PERCUSSION MCPA43 4.3 OCTAVES CONCERT SERIES MARIMBA
K&M 14760 GUITAR PERFORMER STAND
YAMAHA YCL SEVRA A CLARINET
YAMAHA CPX 700II DSR
EPIPHONE SHERATON II PRO EBONY
IBANEZ GRG170DXBKN
DADDARIO ACCESSORIES 25SS01DX SUEDE GUITAR STRAP COGNAC
IBANEZ UV70P-BK STEVE VAI 7-STRING
KORG VOLCA BEATS
K&M 230/4 XLR GOOSENECK
IBANEZ GRX70QA-TRB GIO TRANSPARENT RED SUNBURST
TAYLOR 816CE BUILDERS EDITION V-CLASS
YAMAHA PACIFICA 012RMII ELECTRIC GUITAR RED METALLIC
MEINL 6-INCH PRACTICE PAD
DADDARIO ACCESSORIES 50C02 WOVEN GUITAR STRAP CHECK MATE
BLACKSTAR ID CORE 40 V4 COMBO
DADDARIO WOODWINDS RICO RESERVE ASAX 2.5
YAMAHA TRBX304 BLACK
YAMAHA DTX10K-X BF ELECTRONIC DRUM KIT TEXTURED CELLULAR SILICONE PADS BLACK FOREST
K&M 16235 GUITAR WALL MOUNT
TAYLOR 512CE V-CLASS
IBANEZ GRX70QA-TBB GIO TRANSPARENT BLUE SUNBURST
D'ADDARIO RICO ORGANIC RESERVE 2,5 SOPRANO SAXOPHONE REEDS (X 3)
ROYAL BY D'ADDARIO TENOR SAXOPHONE REEDS 1.5 (3 PACK)
DADDARIO ACCESSORIES 25LK03 KISS STRAP
K&M 230/2 XLR GOOSENECK BLACK
SHURE BETA58A 