NEW AN-X ENGINE
A revolution in authentic analog sound, control and behavior, the AN-X engine recreates the warm, classic sound of an analog synthesizer with a host of sophisticated modulation options.
・Three Oscillators with 5 waveforms (Saw 1, Saw2, Triangle, Square and Sine) and Noise Generator
・Two filters with 10 filter types
・Pulse width modulation
・Oscillator Self Sync
・Ring modulation, FM, and wave shaper
・Amp EG with drive
・LFO for both amplitude and filter
・Voltage drift and aging settings to simulate vintage synth behavior
Integrated into the Motion Control system, the AN-X Engine allows you to create expressive, unique analog sounds to your heart’s content.
IMPROVED AWM2
Experience realism and detail with MONTAGE M’s improved AWM2. Offering an incredible 128 Elements per part, AWM2 allows for smoother transitions, giving you an expansive canvas for ultra-high-definition sound creation, especially for “nameable” sounds such as piano and strings.
400-NOTE TOTAL POLYPHONY
A significant upgrade from the original MONTAGE’s 256 notes, MONTAGE M offers up to 400 notes of polyphony across its three engines:
・128 notes for AWM2 Preset Waveform Parts
・128 notes for AWM2 User Waveform Parts
・128 notes for FM-X Parts
・16 notes for AN-X Parts
AND MORE
[PRESET WAVE AND FLASH MEMORY UPGRADE] MONTAGE M offers twice the memory over its predecessor with an increase from 5.67GB to 9.97GB of Preset Wave memory, and an increase from 1.75 to 3.8GB of User flash memory. Plus, you’ll find a host of new sounds and instruments, including pianos, orchestral instruments, drums, and more! [FM-X] MONTAGE M rekindles the Yamaha legacy of expressive and dynamic FM Synthesis with its 8-operator FM-X engine, offering a wide variety of diverse tones: from crisp and bell-like, to edgy and aggressive, to mellow and evolving. This is an excellent complement to the AWM2 and AN-X engines. [VCM ROTARY AND DRAWBAR BEHAVIOR] Using sophisticated modeling technology, the VCM Rotary Speaker effect simulates the rich and enveloping motion of a classic rotary speaker cabinet. Plus, the new organ drawbar fader setting simulates the vintage “pull out” drawbar organ behavior. [16 LIBRARY LOCATIONS] With 16 Library slots at your disposal, you can house up to 10,240 additional Performances (that’s in addition to the over 2,700 performances in the presets), facilitating quick searches by Category, Name and Attributes. [PURE ANALOG CIRCUIT 2] The upgraded Pure Analog Circuit included in MONTAGE M reduces noise and improves the dynamic range, crosstalk, low-frequency phase, and distortion rate, resulting in clearer sound at all volumes. You’ll also find the sound has more detailed low-mids and presence.MONTAGE M8x | MONTAGE M7 | MONTAGE M6 | ||
|---|---|---|---|---|
| Dimensions | Width | 1,446 mm (56-15/16″) | 1,244 mm (49″) | 1,037 mm (40-13/16″) |
| Height | 170 mm (6-11/16″) | 131 mm (5-3/16″) | 131 mm (5-3/16″) | |
| Depth | 460 mm (18-1/8″) | 396 mm (15-9/16″) | 396 mm (15-9/16″) | |
| Weight | Weight | 28.1 kg (61 lbs., 15 oz.) | 17.6 kg (38 lbs., 13 oz.) | 15.3 kg (33 lbs., 12 oz.) |
| Packing Box | Width | 1,647 mm (64-7/8″) | 1,430 mm (56-5/16″) | 1,223 mm (48-1/8″) |
| Height | 261 mm (10-1/4″) | 259 mm (10-3/16″) | 259 mm (10-3/16″) | |
| Depth | 572 mm (22-1/2″) | 482 mm (19″) | 482 mm (19″) | |
| Keyboard | Number of Keys | 88 | 76 | 61 |
| Type | GEX Keyboard | FSX Keyboard | FSX Keyboard | |
| Initial Touch | Yes | Yes | Yes | |
| Aftertouch | Yes (Polyphonic After Touch) | Yes (Channel After Touch) | Yes (Channel After Touch) | |
| Tone Generator | Motion Control Synthesis Engine AMW2: 128 Elements (max.), FM-X: 8 Operators, 88 Algorithms, AN-X: 3 Oscillators, 1 Noise | Motion Control Synthesis Engine AMW2: 128 Elements (max.), FM-X: 8 Operators, 88 Algorithms, AN-X: 3 Oscillators, 1 Noise | Motion Control Synthesis Engine AMW2: 128 Elements (max.), FM-X: 8 Operators, 88 Algorithms, AN-X: 3 Oscillators, 1 Noise | |
| Maximum Polyphony | AWM2: 256 (max.; stereo/mono waveforms), FM-X: 128 (max.), AN-X: 16 (max.) | AWM2: 256 (max.; stereo/mono waveforms), FM-X: 128 (max.), AN-X: 16 (max.) | AWM2: 256 (max.; stereo/mono waveforms), FM-X: 128 (max.), AN-X: 16 (max.) | |
| Multi Timbral Capacity | 16 Parts (internal), Audio Input Parts (A/D*1, USB*1) *1 stereo Part | 16 Parts (internal), Audio Input Parts (A/D*1, USB*1) *1 stereo Part | 16 Parts (internal), Audio Input Parts (A/D*1, USB*1) *1 stereo Part | |
| Wave | Preset: 10 GB (when converted to 16-bit linear format), User: 3.7 GB | Preset: 10 GB (when converted to 16-bit linear format), User: 3.7 GB | Preset: 10 GB (when converted to 16-bit linear format), User: 3.7 GB | |
| Performance | 3,369 | 3,369 | 3,369 | |
| Filter | 18 types | 18 types | 18 types | |
| Effects | Reverb x 12 types, Variation x 88 types, Insertion A x 88 types*2, Insertion B x 89 types*3, Master Effect x 26 type, *2 A/D part insertion x 83 types *3 Part 2~16: 88 type, A/D part insertion x 83 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands) | Reverb x 12 types, Variation x 88 types, Insertion A x 88 types*2, Insertion B x 89 types*3, Master Effect x 26 type, *2 A/D part insertion x 83 types *3 Part 2~16: 88 type, A/D part insertion x 83 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands) | Reverb x 12 types, Variation x 88 types, Insertion A x 88 types*2, Insertion B x 89 types*3, Master Effect x 26 type, *2 A/D part insertion x 83 types *3 Part 2~16: 88 type, A/D part insertion x 83 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands) | |
| Controllers | Master Volume, A/D Input Gain knob, Pitch Bend wheel, Modulation wheel, Ribbon Controller, Control Slider x 8, Knob x 8, Super knob, Display knob x 6, Portament knob, Data Dial, Assignable switch x 2, MSEQ trigger switch, Portamento switch, Keyboard hold switch, Ribbon Controller hold switch | Master Volume, A/D Input Gain knob, Pitch Bend wheel, Modulation wheel, Ribbon Controller, Control Slider x 8, Knob x 8, Super knob, Display knob x 6, Portament knob, Data Dial, Assignable switch x 2, MSEQ trigger switch, Portamento switch, Keyboard hold switch, Ribbon Controller hold switch | Master Volume, A/D Input Gain knob, Pitch Bend wheel, Modulation wheel, Ribbon Controller, Control Slider x 8, Knob x 8, Super knob, Display knob x 6, Portament knob, Data Dial, Assignable switch x 2, MSEQ trigger switch, Portamento switch, Keyboard hold switch, Ribbon Controller hold switch | |
| Display | 7″ TFT Color Wide VGA LCD touch screen, 512 x 64 Full-dot LCD | 7″ TFT Color Wide VGA LCD touch screen, 512 x 64 Full-dot LCD | 7″ TFT Color Wide VGA LCD touch screen, 512 x 64 Full-dot LCD | |
| Connectors | [USB TO DEVICE] x 2, [USB TO HOST], MIDI [IN]/[OUT]/[THRU], FOOT CONTROLLER [1]/[2], FOOT SWITCH [SUSTAIN]/[ASSIGNABLE], OUTPUT (BALANCED) [L/MONO]/[R] (6.3 mm, Balanced TRS jacks), ASSIGNABLE OUTPUT (BALANCED) [L]/[R] (6.3 mm, Balanced TRS jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks) | [USB TO DEVICE] x 2, [USB TO HOST], MIDI [IN]/[OUT]/[THRU], FOOT CONTROLLER [1]/[2], FOOT SWITCH [SUSTAIN]/[ASSIGNABLE], OUTPUT (BALANCED) [L/MONO]/[R] (6.3 mm, Balanced TRS jacks), ASSIGNABLE OUTPUT (BALANCED) [L]/[R] (6.3 mm, Balanced TRS jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks) | [USB TO DEVICE] x 2, [USB TO HOST], MIDI [IN]/[OUT]/[THRU], FOOT CONTROLLER [1]/[2], FOOT SWITCH [SUSTAIN]/[ASSIGNABLE], OUTPUT (BALANCED) [L/MONO]/[R] (6.3 mm, Balanced TRS jacks), ASSIGNABLE OUTPUT (BALANCED) [L]/[R] (6.3 mm, Balanced TRS jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks) | |
| Power Consumption | 36 W | 36 W | 36 W | |
| Accessories | AC Power cord, Quick Guide, Cubase AI Download Information, Expanded Softsynth Plugin for MONTAGE M Download Information | AC Power cord, Quick Guide, Cubase AI Download Information, Expanded Softsynth Plugin for MONTAGE M Download Information | AC Power cord, Quick Guide, Cubase AI Download Information, Expanded Softsynth Plugin for MONTAGE M Download Information | |
| Live Sets | Preset: 128 and more, User: 2,048 | Preset: 128 and more, User: 2,048 | Preset: 128 and more, User: 2,048 | |
| Note Capacity | 1 Song/Pattern: Approx. 130,000 notes, Store area: Approx. 520,000 notes (Pattern); approx. 520,000 notes (Song) | 1 Song/Pattern: Approx. 130,000 notes, Store area: Approx. 520,000 notes (Pattern); approx. 520,000 notes (Song) | 1 Song/Pattern: Approx. 130,000 notes, Store area: Approx. 520,000 notes (Pattern); approx. 520,000 notes (Song) | |
| Note Resolution | 480 ppq (parts per quarter note) | 480 ppq (parts per quarter note) | 480 ppq (parts per quarter note) | |
| Tempo (BPM) | 5 – 300 | 5 – 300 | 5 – 300 | |
| Sequence formats | MONTAGE original format, SMF formats 0, 1 | MONTAGE original format, SMF formats 0, 1 | MONTAGE original format, SMF formats 0, 1 | |
| Arpeggio | Parts: 8 Parts simultaneous (max.), Preset: 10,922 types or more, User: 256 types | Parts: 8 Parts simultaneous (max.), Preset: 10,922 types or more, User: 256 types | Parts: 8 Parts simultaneous (max.), Preset: 10,922 types or more, User: 256 types | |
| Patterns | 128 patterns | 128 patterns | 128 patterns | |
| Pattern tracks | 16 Sequence tracks | 16 Sequence tracks | 16 Sequence tracks | |
| Pattern Recording type | Real time replace, Real time overdub | Real time replace, Real time overdub | Real time replace, Real time overdub | |
| Songs | 128 songs | 128 songs | 128 songs | |
| Song tracks | 16 Sequence tracks, Tempo track, Scene track | 16 Sequence tracks, Tempo track, Scene track | 16 Sequence tracks, Tempo track, Scene track | |
| Song recording type | Real time replace, Real time overdub, Real time punch in/out | Real time replace, Real time overdub, Real time punch in/out | Real time replace, Real time overdub, Real time punch in/out | |
| USB audio interface | [Sampling Frequency = 44.1 kHz] Input: 6 channels (3 stereo channels), Output: 32 channels (16 stereo channels) [Sampling Frequency = 44.1 kHz – 192 kHz] Input: 6 channels (3 stereo channels), Output: 8 channels (4 stereo channels) | [Sampling Frequency = 44.1 kHz] Input: 6 channels (3 stereo channels), Output: 32 channels (16 stereo channels) [Sampling Frequency = 44.1 kHz – 192 kHz] Input: 6 channels (3 stereo channels), Output: 8 channels (4 stereo channels) | [Sampling Frequency = 44.1 kHz] Input: 6 channels (3 stereo channels), Output: 32 channels (16 stereo channels) [Sampling Frequency = 44.1 kHz – 192 kHz] Input: 6 channels (3 stereo channels), Output: 8 channels (4 stereo channels) | |
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