Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

KLOTZ ATCC0100 RCA TWIN CABLE 1m.
STAGG 925BK FEMALE XLR
KLOTZ M1 MIC CABLE 7.5M XLR-XLR
YAMAHA CP73 DIGITAL STAGE PIANO
IBANEZ GSA60BKN BLACK NIGHT
FENDER PURE VINTAGE TELECASTER® STRING GUIDE NICKEL
YAMAHA GB1K PM POLISHED MAHOGANY GRAND PIANO 151CM
YAMAHA HS850
KLOTZ M1 MIC CABLE 1M MALE XLR-JACK
ROLAND FP-60X DIGITAL PIANO BLACK
YAMAHA C7X POLISHED WHITE GRAND PIANO 227CM
YAMAHA YUS3S PE
TONEPROS TP6RC TUNE-O-MATIC BRIDGE ROLLER SADDLES CHROME
ERNIE BALL .018 RPS PLAIN SINGLE STRING
YAMAHA MG16 XU MIXING CONSOLE
STAGG SPEAKER CABLE SPK/JACK 2 M
TAYLOR 914CE V-CLASS
ERNIE BALL 12 STRING EARTHWOOD PHOSPHOR BRONZE ACOUSTIC
STAGG K10-097 STANDARD BLACK NYLON BAG FOR KEYBOARD
TAMA HP900PWN IRON COBRA POWERGLIDE DOUBLE PEDAL
K&M 49412 PANEL 2-SPACES
DUNLOP 6504 GUITAR TECH CARE KIT
YAMAHA CG-192C CLASSICAL GUITAR NATURAL CEDAR SOLID WOOD
BOSS BC1X BASS COMPRESSOR
YAMAHA YFL 874WH CUSTOM GRENADILLA WOODEN FLUTE B FOOTJOINT
YAMAHA NP-35 DIGITAL PIANO WHITE
DADDARIO EZ890 85/15 BRONZE
DADDARIO ACCESSORIES PWCT13 NS MICRO UNIVERSAL TUNER
YAMAHA P121M PE POLISHED EBONY 121CM
KLOTZ M1 MIC CABLE 3M MALE XLR-JACK
VIC FIRTH M130 ORCHESTRA XYLO/BELL MALLETS
FENDER POUR OVER ENVELOPE FILTER
KLOTZ AY50200 Y-CABLE 2M
EVANS 12 J1 ETCHED
YAMAHA LACQUER POLISH MMLPOLISH02
K&M 16220 GUITAR WALL MOUNT WOODEN CORK
YAMAHA TRANSACOUSTIC SILENT PIANO GC1 TA3 PE GLOSSY BLACK
YAMAHA YFL-282 FLUTE
DW 3500A HIHAT STAND DWCP3500A
IBANEZ GSR180-BK
EPIPHONE LES PAUL STANDARD 50S LEFT-HANDED VINTAGE SUNBURST
YAMAHA YCHT7018 PROFESSIONAL CHIMES TUBULAR BELLS SET
KLOTZ ASEX10300 EXTENSION CABLE 3m.
DADDARIO ACCESSORIES STD ACRYLUX NITRA 25-PACK
DADDARIO 45-105 REG LIGHT BASS STRINGS
JACKSON SLX SOLOIST LEFT-HANDED IL SATIN BLACK
D'ADDARIO RICO ORGANIC RESERVE 2,5 SOPRANO SAXOPHONE REEDS (X 3)
TAYLOR 214CE KOA DELUXE 
