Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

TAYLOR 312CE V-CLASS GRAND CONCERT
VIC FIRTH T5 WOODEN TIMPANI MALLETS
TAYLOR 214CE KOA DELUXE
STAGG ABS-RE 2 LIGHTWEIGHT HARDSHELL CASE FOR ELECTRIC GUITAR
YAMAHA CG 182S CLASSICAL GUITAR NATURAL SPRUCE SOLID WOOD
PURESOUND CUSTOM P1216
ROLAND TD-17KVX V-DRUM KIT
TAYLOR 412CE V-CLASS
K&M 17550 GUITAR STAND MEMPHIS TRAVEL
DADDARIO ACCESSORIES 74T000 WIDE STRAP
K&M 11450 BAG
YAMAHA FG800II SANDBURST
YAMAHA DTX6K-X ELECTRONIC DRUM KIT
YAMAHA TRBX174 OVS
SENNHEISER ME2 OMNI DIRECTIONAL LAVALIER MICROPHONE
PURESOUND CUSTOM P1424
YAMAHA CG-192S CLASSICAL GUITAR NATURAL SPRUCE SOLID WOOD
YAMAHA CG 142C CLASSICAL GUITAR NATURAL CEDAR SOLID WOOD
DADDARIO ACCESSORIES 50B05
GRETSCH G5655T ELECTROMATIC CENTER BLOCK JR WITH BIGSBY IL CASINO GOLD
WITTNER METRONOME MAHOGANY 845111
KORG VOLCA DRUM PHYSICAL MODELING DRUM SYNTHESIZER
FENDER ESC105 EDUCATIONAL SERIES WN VINTAGE NATURAL
BO-PEP 751.260 FLUTE FINGER REST LARGE HANDS
GIBRALTAR SC-216A SNARE WIRE 12” 16-STRAND
YAMAHA JR1
YAMAHA FX 370CTBS ELECTRO-ACOUSTIC GUITAR, TOBACCO SUNBURST
TAKAMINE GY93 NAT
TAKAMINE GD30-BLK
TAYLOR 312CE-N NYLON STRING ELECTRO ACOUSTIC NATURAL
YAMAHA YFL 894W CUSTOM GRENADILLA WOODEN FLUTE
YAMAHA FG800II BROWN SUNBURST
YAMAHA CG 142S CLASSICAL GUITAR NATURAL SPRUCE SOLID WOOD
STAGG GCA−RB BASIC SERIES HARDSHELL CASE FOR ELECTRIC BASS GUITAR
STAGG SCL70 CLASSICAL GUITAR WITH SPRUCE TOP NATURAL SATIN
TAMA HP 910LWN DOUBLE SPEED COBRA
YAMAHA YFL-422 FLUTE
VIC FIRTH 2B AMERICAN CLASSIC WOOD TIP
VIC FIRTH M122 KEYBOARD MALLET RVS SOFT
GIBRALTAR SC-3261 FELT BEATER
ERNIE BALL FINGER PICK
DUNLOP FORMULA 65 MAINTENANCE KIT
ERNIE BALL EARTHWOOD LIGHT 11-52
DADDARIO ACCESSORIES FRETBOARD CONDITIONER PWFBC
VIC FIRTH 1A AMERICAN CLASSIC WOOD TIP
VIC FIRTH M4 MALLETS
DADDARIO ACCESSORIES HYGROMETER PWHTS
FENDER STRAT JACK FERRULE CHROME
TAYLOR 612CE V-CLASS 
