Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

DADDARIO ACCESSORIES 50A07 WOVEN GUITAR STRAP CELTIC
EVANS 10 ONYX 2-PLY COATED
MXR M116 FULLBORE METAL
MXR M107 PHASE 100
KLOTZ ATJJ0300 TWINCABLE 3M
KLOTZ SQ422 STAR QUAD 4 X0,22MM2 BLACK 1M
K&M 28101 MONITOR STAND
MOOER M999 PREAMP LIVE DIGITAL MULTI PREAMP MODELER
EVANS 10 J1 ETCHED
GRETSCH G5420T ELECTROMATIC HOLLOW-BODY SINGLE CUT WALNUT STAIN
THOMASTIK-INFELD VIOLIN STRINGS INFELD HYBRID CORE RED MEDIUM
STUDIO49 SM-1000 SOPRAN METALLOPHONE
SENNHEISER EW D1 ME2 LAVALIER SET
PROTECTION RACKET 2024 BASS DRUM CASE
MEINL DJEMBE BAG LARGE BLACK
STAGG 3/4 NATURAL-COLOURED CLASSICAL GUITAR WITH LINDEN TOP
EVANS EC1 COATED 10 INCH
MEINL JUMBO BASS CAJON MAPLE FRONTPLATE
IBANEZ GSA60BKN BLACK NIGHT
PROTECTION RACKET SUR16 SURDO CASE
KLOTZ JOE BONAMASSA GUITAR STRAIGHT 6M
AKG C417L
ORANGE DUAL TERROR HEAD
MEINL NINOADJ4XS WOOD DJEMBE
DADDARIO EJ40 SILK & STEEL
HOHNER BRAVO II 60 BLACK SILENT KEY
DADDARIO EJ26 PHOSPHOR BRONZE
EVANS 22 GENERA G2 CLEAR BASS DRUM HEAD
TAYLOR 82002 UNIVERSAL TRUSS ROD WRENCH
DADDARIO EPN110 PURE NICKEL
DADDARIO ECG24-7 CHROMES
YAMAHA B1 PWH UPRIGHT PIANO POLISHED WHITE 109CM
TAYLOR 314CE V-CLASS GRAND AUDITORIUM 
