Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

PROTECTION RACKET 9026 THRONE CASE
TAKAMINE GN30CE BLACK
VIC FIRTH RUTE404 BRUSHES
YAMAHA YFL 517
EVANS EC2 COATED 10 INCH
YAMAHA GC12C GRAND CONCERT CLASSICAL GUITAR NATURAL CEDAR SOLID WOOD
YAMAHA JR2 TOBACCO BROWN SB
DADDARIO WOODWINDS NECK STRAPS FABRIC SLA11 FOR TENOR OR BARITONE SAXOPHONES
EVANS EC2S FROSTED 8 IN.
YAMAHA TYROS 5 61 KEY COVER BLACK
YAMAHA B2E PM UPRIGHT PIANO POLISHED MAHOGANY 113CM
YAMAHA YTR 8310ZS03 CUSTOM Bb TRUMPET SILVER PLATED BOBBY SHEW
ERNIE BALL BEEFY SLINKY 11-54
MEINL 18BYZANCE JAZZ THIN CRASH
YAMAHA ARIUS YDP-165 DIGITAL PIANO WHITE
YAMAHA ARIUS YDP-165 DIGITAL PIANO ROSEWOOD
PAISTE 14 PST 5 N MEDIUM CRASH
YAMAHA ARIUS YDP-S35 DIGITAL PIANO BLACK
MEINL 16BYZANCE MED.THIN CRASH BRILLIANT
KORG LP 180 WHITE DIGITAL PIANO WITH STAND
CASIO AP-470 CELVIANO DIGITAL PIANO WHITE
KLOTZ M1 MIC CABLE 1M FEMALE XLR-JACK
YAMAHA YCR 4330GSII CORNET
IBANEZ SR300EBL LEFT HANDED WEATHERED BLACK
YAMAHA ARIUS YDP-145 DIGITAL PIANO ROSEWOOD
KLOTZ AS-MJ0300 MINI JACK-JACK
ORANGE CRUSH 35RT GUITAR COMBO
BOSS KATANA MINI
STAGG K10-128 STANDARD BLACK NYLON BAG FOR KEYBOARD
MEINL 18BYZANCE MEDIUM CRASH
KLOTZ AY50600 Y-CABLE 6M
ROLAND CB-B88 88-KEY KEYBOARD BAG
GRETSCH G9100-L LONG NECK SOPRANO UKULELE
KORG LP-380-U BLACK DIGITAL PIANO WITH STAND
KLOTZ ATCC0100 RCA TWIN CABLE 1m.
KLOTZ ASMM0150 STEREO-CABLE 1,5m.
KLOTZ ASEX10300 EXTENSION CABLE 3m.
ELECTRO HARMONIX KEY9 ELECTRIC PIANO MACHINE
EVANS 20 EQ3 BATTER CLEAR BASSDRUM HEAD
EVANS 13 GENERA G1 COATED TOM HEAD
YAMAHA KP65
YAMAHA CLEANING SWAB FOR OBOE
TAYLOR 312CE V-CLASS GRAND CONCERT 
