Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

MEINL PERCUSSION CONGA HEAD FOR MODELS HC555, HC10, HFC10 - 10-INCH
VIC FIRTH AMERICAN CLASSIC HICKORY 7AN NYLON TIP
FENDER PURE VINTAGE '74 JAZZ BASS PICKUP SET
AKG WMS40 MINI SINGLE VOCAL SET ISM1
STAGG 3−DRIVER SUPERIOR IN−EAR MONITORS TRANSPARENT
YAMAHA YCR 8620 CORNET
K&M 18MM RUBBER FOOT
K&M TABLET PC STAND BLACK
EVANS 13 GENERA DRY
MOOER GREEN MILE OVERDRIVE
PROTECTION RACKET 5028W HARDWARE BAG
DADDARIO ACCESSORIES RESTORE PWPL01
K&M MIGHTY BRIGHT 2-LED USB LIGHT SILVER
ERNIE BALL .015 RPS PLAIN SINGLE STRING
STAGG BONGO STAND
KLOTZ USB 2.0 CABLE PLUG C - PLUG B BLACK 1M
YAMAHA TRBX174 OVS
ORANGE TH30 HEAD
GIBRALTAR SC-GPHP-5W PORT HOLE WHITE
TAMA CM8P CYMBAL MATE
ZOOM H1ESSENTIAL STEREO HANDHELD RECORDER
PROTECTION RACKET 5031 HARDWARE BAG
STAGG LOOK SMART PHONE/TABLET HOLDER
EVANS EC1 COATED 12 INCH
TAMA IRON COBRA HP200PTW DOUBLE PEDAL
K&M 18969 KIDS KEYBOARD STAND
YAMAHA FLEXIBLE CLEANING BRUSH (L)
KLOTZ SC-1 SPEAKER CABLE JACK 2M
MEINL DIRECT DRIVE CAJON PEDAL
PROTECTION RACKET SUR18 SURDO CASE
EVANS 18 GENERA G2 COATED TOM HEAD
YAMAHA C2X POLISHED WHITE GRAND PIANO 173CM
KLOTZ M1 MIC CABLE 2M XLR-XLR
BOSS CEB3 BASS CHORUS
K&M 240/5 MIC HOLDER
EVANS EQPB1 BLACK NYLON BASS PATCH
FENDER PURE VINTAGE 65 STRATOCASTER PICKUPS
KLOTZ M1 MIC CABLE 5M MALE XLR-JACK
GIBRALTAR 6 IN. WHITE PORT HOLE RINGS
YAMAHA CG 142S CLASSICAL GUITAR NATURAL SPRUCE SOLID WOOD
ORANGE MICRO TERROR HEAD
TASCAM DP-008EX ULTRA-COMPACT 8-TRACK DIGITAL POCKETSTUDIO
REMO MF-1122-00 22 CONTROL RING
MEINL NINOADJ2XS WOOD DJEMBE
YAMAHA C3X POLISHED EBONY GRAND PIANO 186CM
MOOER CAB X2 STEREO CABINET SIMULATOR
DADDARIO ACCESSORIES 50A07 WOVEN GUITAR STRAP CELTIC
GIBRALTAR SC-GCRA RIGHT ANGLE CLAMP
MOOER TENDER OCTAVER PRO
PEARL P2050C ELIMINATOR PEDAL
PEARL FLUTE 795 RBE ELEGANTE
YAMAHA GC 22C GRAND CONCERT CLASSICAL GUITAR NATURAL CEDAR SOLID WOOD
YAMAHA FP9500C
VOX NIGHTTRAIN NT15H G2
YAMAHA HW680W HARDWARE SET
ERNIE BALL 7-STRING REGULAR SLINKY 10-56
STAGG FPSL FINGERPICKSET LARGE
YAMAHA CPX 700II BL 
