Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

YAMAHA TRBX174 BLACK
TAYLOR K24CE KOA
K&M 210/8 MICROPHONE STAND
YAMAHA SA2200 VS
IBANEZ GSR180-BS
STAGG NMC1R N SERIES XLR/XLR CABLE
YAMAHA C6X POLISHED EBONY GRAND PIANO 212CM
YAMAHA YUS1 SH3 PE
FENDER TELE DOME KNOBS
YAMAHA TRBX-204 BRIGHT RED METALLIC
KLOTZ M1 MIC CABLE 7.5M XLR-XLR
AKG PERCEPTION LIVE P2
YAMAHA YUS1 PE
JACKSON JS1X DINKY MINION BLACK
DADDARIO ACCESSORIES PWCT17BK ECLIPSE TUNER BLACK
YAMAHA MOUTHPIECE BRUSH (L)
FENDER CLASSIC '72 TELECASTER CUSTOM MN 3TS
PEARL P2052B ELIMINATOR TWIN PEDAL BELT DRIVE
DADDARIO ACCESSORIES 25LK02 KISS STRAP
TAYLOR 312CE-N NYLON STRING ELECTRO ACOUSTIC NATURAL
BOSS TU3 CHROMATIC TUNER
MOOER MOD FACTORY MKII MULTI MODULATION
K&M 238 MIC.HOLDER
ORANGE OMEC TELEPORT
IBANEZ GSA60BKN BLACK NIGHT
YAMAHA TRANSACOUSTIC SILENT PIANO YUS5 TA3 PE GLOSSY BLACK
YAMAHA FP 9C FOOT PEDAL
YAMAHA TRANSACOUSTIC SILENT PIANO C3X TA3 PE GLOSSY BLACK
PEARL FLUTE 695 RBE DOLCE
IBANEZ GSR200 BLACK
CASIO AP-470 CELVIANO DIGITAL PIANO WHITE
YAMAHA GB1K PM POLISHED MAHOGANY GRAND PIANO 151CM
K&M 230/2 XLR GOOSENECK BLACK
FENDER AMERICAN PERFORMER STRAT RW AWT
GRETSCH GTH-DL DOUBLE TOM HOLDER
KLOTZ M1 MIC CABLE BK 15M XLR-XLR
KLOTZ M1 MIC CABLE 5M XLR-XLR
KLOTZ M2 MIC CABLE 7.5M XLR-XLR
SHURE WBH54T HEADWORN VOCAL MICROPHONE TRANSPARENT
KLOTZ M1 MIC CABLE 1M XLR-XLR
STAGG K10-130 STANDARD BLACK NYLON BAG FOR KEYBOARD
DADDARIO ACCESSORIES PWCP06 NS TRIO CAPO-PARTIAL
KLOTZ TM.STEVENS FUNKMASTER 9M
KLOTZ M2 MIC CABLE 5M XLR-XLR
YAMAHA NP-15 PORTABLE DIGITAL PIANO WHITE
ERNIE BALL COATED BRONZE ACOUSTIC 13-56
FENDER FE920 GIGBAG FOR ELECTRIC GUITAR WINTER CAMO
ORANGE CRUSH PRO CABINET
KORG LP-380UWHITE DIGITAL PIANO WITH STAND
BOSS PH3 INFINITE PHASER
BOSS DUAL CUBE BASS LX BASS AMPLIFIER
VOX NIGHTTRAIN NT15H G2
MOOER THE WAHTER WAH PEDAL
YAMAHA PSR-SX600 ARRANGER WORKSTATION
YAMAHA U1 SAW
KLOTZ M2 MIC CABLE 3M XLR-XLR
YAMAHA U3S PROFESSIONAL UPRIGHT PIANO POLISHED MAHOGANY
TAYLOR T5 STANDARD RED EDGEBURST
YAMAHA APX 700II-12 NT
YAMAHA C5X POLISHED EBONY GRAND PIANO 200CM
K&M 28130 AMP STAND
KLOTZ M1 MIC CABLE 3M MALE XLR-JACK
DUNLOP AALP03 TOSIN ABASI TORTEX JAZZ 3 WHITE XL GUITAR PICKS .60MM (6-PACK)
YAMAHA APX 700II BL
YAMAHA APX 700II SB 
