Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

ROCKBOARD BY WARWICK TRES 3.0 PEDALBOARD WITH GIG BAG
EVANS 10 GENERA G2 CLEAR TOM HEAD
ADAMS REVOLUTION TIMPANI 32 HAMMERED COPPER
HOHNER BLUES HARP Bb-MAJOR
REMO FALAM PATCH DOUBLE SLAM
ERNIE BALL POWER SLINKY 11-48
EVANS 12 ONYX 2-PLY COATED
MEINL NINO551 TRIANGLE
BLACKSTAR UNITY 120
FENDER TRE-VERB DIGITAL REVERB/TREMOLO
ROLAND HP704 DIGITAL PIANO DARK ROSEWOOD
K&M 21021 OVERHEAD MIC.STAND BLACK
YAMAHA C40 CLASSICAL GUITAR NATURAL
DADDARIO ACCESSORIES 50AL01 ALCHEMY GUITAR STRAP MUTED SKULLS
EVANS EC2 COATED 13 INCH
K&M 24030 DRUM MIC CLAMP
EVANS 22 EMAD RESONANT BLACK
K&M 24180 WALL MOUNT WHITE
GRETSCH G2622-P90 STREAMLINER CENTER BLOCK DOUBLE-CUT P90 HAVANA BURST
EVANS 10 UNO58 1000 COATED TOM HEAD
MEINL TBR06ABSR TAMBORIM RED
K&M 21312 CARRY BAG
KORG LP-380-U BLACK DIGITAL PIANO WITH STAND
BOSS XS-1 POLY SHIFTER EFFECTS PEDAL
MOOER HUSTLE DRIVE DISTORTION MDS2
KLOTZ M1 MIC CABLE 5M XLR-XLR
MEINL NINO564 WOOD SHAKER
D'ADDARIO PWPS3 EBONY BRIDGE AND END PIN SET PEARL
MEINL MAKE YOUR OWN CAJON
FENDER BASS STRING FERRULES
TAYLOR MINI TUNERS SMOKED NICKEL
TAMA QC8 QUICK-SET CYMBAL MATE, SINGLE
BOSS PH3 INFINITE PHASER
YAMAHA B2E TC3 TRANSACOUSTIC PIANO POLISHED EBONY
HOHNER MARINE BAND 1896 B-MAJOR
STUDIO49 SGd SOPRANO GLOCKENSPIEL
DADDARIO ASCENTE VIOLIN 4/4 MEDIUM SET
EVANS EC2 COATED 10 INCH
HARDCASE 12"TOM CASE
EVANS 22 EQ3 RESONANT COATED WHITE
SHURE BETA91A CONDENSER BOUNDARY MICROPHONE
EVANS EC2S FROSTED 14 IN.
DUNLOP FORMULA 65 MAINTENANCE KIT
GIBRALTAR SC-BDKR/L BASS DRUM ROD 4PCS
DADDARIO WOODWINDS RICO GRAND CONCERT SELECT TSAX 3
SENNHEISER HD25 PLUS
ORANGE PPC412
MEINL MC-4 PERCUSSION CLAMP
ERNIE BALL 7-STRING SUPER SLINKY 09-52
PROTECTION RACKET 9017 PERCUSSION BAG
TAMA HP 910LWN DOUBLE SPEED COBRA
ZILDJIAN 20A MEDIUM RIDE
YAMAHA ARIUS YDP-165 DIGITAL PIANO WHITE ASH
IBANEZ TS9 TUBE SCREAMER
EVANS 16 ONYX 2-PLY COATED
STAGG BX CHORUS
HOHNER BRAVO III 72 RED
KLOTZ SC1 SPEAKER CABLE SPEAKON-JACK 2M
YAMAHA APX 700II SB 
