Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

EVANS 13 GENERA G2 COATED TOM HEAD
MEINL FD18T FRAME DRUM
ORTEGA STUDENT SERIES 1/2 CLASSICAL GUITAR NATURAL
HOHNER DIATONIC HARMONICA MARINE BAND 1896 G-MAJOR
KLOTZ USB CABLE A-PLUG TO A-PLUG 1M BLUE
LP MATADOR WOOD 12 1/2 TUMBA
EVANS 20 EMAD BATTER CLEAR KICK HEAD
ROLAND KC-S KEYBOARD COVER SMALL
EVANS EC2 COATED 13 INCH
YAMAHA GC12C GRAND CONCERT CLASSICAL GUITAR NATURAL CEDAR SOLID WOOD
EVANS 12 ONYX 2-PLY COATED
EVANS 22 EQ4 BATTER CLEAR
FENDER VINTAGE STRAT TREMOLO BRIDGE
EVANS 20 EQ3 RESONANT COATED WHITE
ERNIE BALL COATED BRONZE ACOUSTIC 13-56
MARTIN 4MM ALLEN TRUSS ROD WRENCH
YAMAHA YUS5 PE
YAMAHA TRBX174 OVS
K&M 211/1 BOOM ARM
YAMAHA CWH 940
EVANS 12 J1 ETCHED
YAMAHA YC73 73-KEY DRAWBAR ORGAN & STAGE KEYBOARD
MEINL MC-4 PERCUSSION CLAMP
YAMAHA FX 370CBL
LARSEN VIOLIN STRINGS VIRTUOSO
DADDARIO EJ74 11-40 MEDIUM SET MANDOLIN PHOSPHOR BRONZE
MEINL TA1AB WOOD TAMBOURINE
GIBRALTAR SC-CFS4 SHORT CYMBAL FELTS
GIBRALTAR SC-GCP BASS DRUM SINGLE BEATER PAD
MXR 78 CUSTOM BADASS DISTORTION
EVANS EC1 COATED 10 INCH
CASIO GP-310 BK CELVIANO DIGITAL PIANO BLACK
GIBRALTAR SC-GDCP BASS DRUM DOUBLE BEATER PAD
PROTECTION RACKET 9116 DJEMBE BAG
ERNIE BALL POWER SLINKY 11-48
WARWICK SPW30035B1L BASS MACHINEHEAD LEFT BLACK(BASS SIDE)
DADDARIO ACCESSORIES 25PRF05
TAYLOR 914CE V-CLASS
VIC FIRTH DREADLOCKS BRUSHES
MEINL NINOSET012 RHYTM ASSORTIMENT
K&M 24110 TILTING SPEAKER WALL MOUNT
PROTECTION RACKET 9017 PERCUSSION BAG
EVANS 22 EQ3 RESONANT COATED WHITE
GIBRALTAR 9608MB DRUM THRONE WITH SADDLE SEAT AND BACKREST
ROCKBOARD DUO 2.0 PEDALBOARD WITH GIG BAG
K&M 19674 SPEAKER TILT CONNECTOR
K&M 23550 MIC.BAR Black
MOOER TRELICOPTER OPTICAL TREMOLO
YAMAHA EMX5
TAYLOR 814CE 
