Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

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TAYLOR 0,96 CLLOID 351 ABALONE 12 PICKS
KLOTZ TITANIUM PSP ANGLED 6M SUPREME GUITAR CABLE WITH SILENTPLUG
K&M 17580 AC.GUITAR STAND HELI 2 CORK
AKG PERCEPTION 220
DADDARIO ACCESSORIES PEG WINDER PWPW1
YAMAHA U3 PROFESSIONAL UPRIGHT PIANO POLISHED EBONY
FENDER NYLON PICKPACK
DADDARIO ACCESSORIES PREMIUM GUITAR MAINTENANCE KIT
YAMAHA GB1K PAW POLISHED AMERICAN WALNUT GRAND PIANO 151CM
K&M 24035 DRUM MIC.HOLDER BLACK
IBANEZ GSR200TR GIO BASS GUITAR TRANSPARENT RED
KLOTZ M1 MIC CABLE 2M XLR-XLR
K&M 17670 GUITAR STAND MEMPHIS PRO
ORANGE OMEC TELEPORT
BOSS BC1X BASS COMPRESSOR
DUNLOP 6503 BODY AND FINGERBOARD CARE KIT
ORANGE PPC412
TAYLOR 514CE V-CLASS
VOX ADIO AIR GT
YAMAHA HPH-50 WHITE
YAMAHA U1 SH3 SILENT PIANO POLISHED EBONY
M-AUDIO AIR192X4SPRO VOCAL PRODUCTION PACKAGE
DADDARIO ACCESSORIES PWCT14 NS MICRO VIOLIN TUNER
BOSS DB90 DR.BEAT METRONOME
YAMAHA APX 700IIL
YAMAHA AG06MK2 LIVE STREAMING MIXER BLACK
K&M 17513 GUARDIAN STAND FOR 3 GUITARS
K&M 14760 GUITAR PERFORMER STAND
KLOTZ JOE BONAMASSA GUITAR STRAIGHT 6M
ROLAND CB-B49D 49-KEY KEYBOARD BAG
KLOTZ M1 MIC CABLE 5M XLR-XLR
FENDER SPEED SLICK STRING CLEANER
YAMAHA B3E PM UPRIGHT PIANO POLISHED MANOGANY 121CM
YAMAHA C1X POLISHED WHITE GRAND PIANO 161CM
SENNHEISER E614
YAMAHA PIANO COVER C7 S7
DUNLOP JCS-50F JOHNNY CASH CAPO
EPIPHONE UPTOWN KAT ES EMERALD GREEN METALLIC
PEARL TH1030 TOM HOLDER STANDARD GYRO-LOCK TILTER 14"x4" 7/8" DIA POST
KLOTZ TM.STEVENS FUNKMASTER 9M
AKG K121/K141 LEATHER EAR PADS
ROLAND KC-S KEYBOARD COVER SMALL
AKG PERCEPTION LIVE P4
YAMAHA BB 234 VINTAGE WHITE
KLOTZ M2 MIC CABLE 10M XLR-XLR
IBANEZ GSR200B-WNF ELECTRIC BASS WALNUT FLAT
KLOTZ ICE ROCK MIC CABLE 7.5M XLR-XLR
SHURE BETA57A
KLOTZ M2 MIC CABLE 7.5M XLR-XLR
YAMAHA ROTOR OIL FOR ROTARY VALVE
YAMAHA C40 CLASSICAL GUITAR NATURAL
DADDARIO WOODWINDS RICO JAZZ SSAX 3H FILED
K&M 17541 ACOUSTIC GUITAR STAND BLACK
DADDARIO ACCESSORIES POLISH CLOTH PWPC1
TONEPROS TP6RC TUNE-O-MATIC BRIDGE ROLLER SADDLES CHROME
YAMAHA REVSTAR ELEMENT LEFTY ELECTRIC GUITAR BLK
SHURE BETA58A
TAMA IRON COBRA HP200PTW DOUBLE PEDAL
ROLAND BLUES CUBE HOT VB AMP
YAMAHA TRBX 174EW NATURAL
DUNLOP 6524 FINGERBOARD CLEANER
TAYLOR 814CE 
