Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

YAMAHA GC22S GRAND CONCERT CLASSICAL GUITAR NATURAL SPRUCE SOLID WOOD
STAGG FPSM FINGERPICKSET MEDIUM
IBANEZ TS808 TUBE SCREAMER
DUNLOP JOHN PETRUCCI JAZZ III PICK PACK
YAMAHA C70 CLASSICAL GUITAR NATURAL
BLACKSTAR FLY 3 MINI GUITAR AMP BLACK 3W
YAMAHA MG12 XU MIXING CONSOLE
SHURE SM7B DYNAMIC STUDIO VOCAL MICROPHONE
KLOTZ M1 MIC CABLE 3M FEMALE XLR-JACK
YAMAHA APX 700II SB
YAMAHA CX40III CLASSICAL GUITAR NATURAL WITH PIEZO
YAMAHA YW10T WIRELESS TRANSMITTER
BOSS OS2 OVERDRIVE DISTORTION
TAYLOR K24CE KOA
ROLAND JC-40 JAZZ CHORUS
STAGG MUS-LED10 MUSIC STAND LIGHT
DADDARIO ACCESSORIES THUMBPICKS LARGE 5 PACK
STAGG PHB-100 PICK HOLDER VARIOUS COLOURS
YAMAHA SLG200N TOBACCO SUNB. SILENT GUIT
SMT SPEAKON SPEAKERMOUNT
AKG K271 MKII
STAGG NMC1R N SERIES XLR/XLR CABLE
AKG PERCEPTION 420
KORG LP 180 BLACK DIGITAL PIANO WITH STAND
DADDARIO ACCESSORIES 25LK02 KISS STRAP
DADDARIO ACCESSORIES POLISH CLOTH PWPC2
YAMAHA F370
YAMAHA MG10XUF MIXING CONSOLE
YAMAHA YPC 62
YAMAHA YUS3S PE
DADDARIO ACCESSORIES STD ACRYLUX NITRA 25-PACK
DADDARIO ACCESSORIES 25SS02DX SUEDE GUITAR STRAP HONEY
YAMAHA CGS 102A
ERNIE BALL .015 RPS PLAIN SINGLE STRING
GRETSCH G5410T ELECTROMATIC MATTE WHITE
KORG VOLCA-MIX MINI MIXER
AKG PERCEPTION WIRELESS PRESENTER SET CK99L BAND ISM
K&M 14045 STOOL BLACK IMITATION LEATHER
DADDARIO ACCESSORIES PICK
PROMARK MINI STICK KEYCHAIN
IBANEZ RG421EXBKF BLACK FLAT
PRS TREMONTI - MT15 HEAD
DUNLOP AALP03 TOSIN ABASI TORTEX JAZZ 3 WHITE XL GUITAR PICKS .60MM (6-PACK)
AKG K240 STUDIO
GRETSCH STREAMLINER G2622T-P90 FORGE GLOW
TAYLOR 816CE BUILDERS EDITION V-CLASS
DADDARIO ACCESSORIES GUITAR PICK 5-PACK MEDIUM
MOOER BLACK SECRET DISTORTION MDS1
AHEAD STICK TIP SAT
MXR 78 CUSTOM BADASS DISTORTION
YAMAHA GB1K PAW POLISHED AMERICAN WALNUT GRAND PIANO 151CM
STAGG MUSARM1 MOUNTABLE MUSIC STAND
GRETSCH G2420 STREAMLINER HOLLOW BODY WITH CHROMATIC II AGED BROOKLYN BURST
YAMAHA BB 234 BLACK
YAMAHA U1 PM
FENDER NYLON PICKPACK
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