Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

ZOOM B1X FOUR BASS MULTI EFFECTS
STAGG HARDSHELL CASE FOR ELECTRIC GUITAR SQUARE-SHAPED MODEL
K&M 17685 GUITAR STAND MEMPHIS 20
DADDARIO ACCESSORIES 25LK03 KISS STRAP
TAYLOR 110E
DUNLOP DB01B DIMEBAG CRY BABY FROM HELL WAH PEDAL
VIC FIRTH 55A WOOD TIP
SHURE AONIC 215 TRUE WIRELESS G2 EARPHONES CLEAR
DADDARIO ACCESSORIES 50PLA04 PLANET LOCK
DW 5002AH4 DOUBLE PEDAL ACCELERATOR DWCP5002AH4
IBANEZ GSR205B-WNF 5 STRING ELECTRIC BASS WALNUT FLAT
AHEAD STICK TIP SAT
K&M 16280 GUITAR WALL MOUNT CORK
YAMAHA GC12C GRAND CONCERT CLASSICAL GUITAR NATURAL CEDAR SOLID WOOD
M-AUDIO M-TRACK DUO USB AUDIO INTERFACE
SHURE SE535-CL
STAGG FPSM FINGERPICKSET MEDIUM
GIBRALTAR SC-19B CYMBAL SLEEVE
TAYLOR 812CE
DADDARIO ACCESSORIES THUMBPICKS LARGE 5 PACK
BOSS BC1X BASS COMPRESSOR
PEARL S1030 SNARE DRUM STAND
YAMAHA FP8500C
YAMAHA YFL 382H FLUTE B FOOTJOINT
MXR M287 SUB OCTAVE BASS FUZZ
LINE6 RELAY G75
DADDARIO 45-105 REG LIGHT BASS STRINGS
DADDARIO ACCESSORIES KEITH URBAN SIGNATURE PICKS MEDIUM
FENDER CLASSIC SHELL 12PK HEAVY
DADDARIO ACCESSORIES 25SS02DX SUEDE GUITAR STRAP HONEY
DW 9000 XF SINGLE PEDAL DWCP9000XF
MEINL CAJON MALLET SMALL HEAD
STAGG STB 10 W WESTERN GUITAR BAG
PEARL P2050C ELIMINATOR PEDAL
DUNLOP AALP03 TOSIN ABASI TORTEX JAZZ 3 WHITE XL GUITAR PICKS .60MM (6-PACK)
TAYLOR 818E GRAND ORCHESTRA 
