The Oceans 11’s reverbs are: 1. HALL – the rich reverberant sound of a grand concert hall 2. SPRING – pays homage to the classic Fender® 6G15 tube spring reverb 3. PLATE – the lush, warm reverb that got its name because a large metal plate was originally used to create it 4. REVRS – emulates the quirky reverse reverb effect where a note’s reverb fades-in backwards. (Jimmy Page claims to have invented it.) 5. ECHO –sends a recirculating echo thru the Plate reverb. The crisp clear delays get tastefully smudged by the airy plate reverb 6. TREM – reverb plus tremolo that’s applied to both the wet and dry mix of a Hall reverb, your choice of three different tremolo shapes 7. MOD – modulated reverb, three modes. Chorus laced onto the reverb tails creates a luscious atmospheric effect. Flanger wraps around the reverb tails and weaves a hypnotic tapestry. Chorus and flanger combined. 8. DYNA – Swell, gate and duck. Swell silences your notes’ attacks before blooming the tails back into the soundscape. Gate passes the reverb tail thru a noise gate that opens when it detects playing. (Phil Collins popularized the technique by applying it to drums.) Duck compresses the reverb tail while you’re playing and fades it back in when you’re resting. 9. AUTO-INF – Auto-infinite reverb that triggers a reverb wash for each note or chord. When a new one is struck, the previously resounding reverb crossfades to the new one 10. SHIM – Shimmer generates a rich octave-shifted reverb wash that modulates and blossoms behind your signal 11. POLY – Polyphonic reverb, two configurable bi-directional pitch shifts operating on your pre-reverb signal. Combine dissonant intervals with near infinite decays to create disorienting soundtracks, or choose perfect/major intervals to generate creative harmonies when jumping around a key signature The Oceans 11 features powerful, yet intuitive “hidden” parameters accessible thru its Secondary Knob Mode that let the player take greater control of its effects. An internal Tails switch also provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a fresh reverb effect complete with adjustable parameters!
188.00 €
Saadaval järeltellimisel, tarneaja täpsustamiseks esitage küsimus!

EXPRESSIVE E TOUCHÉ
K&M 21336 DISTANCE ROD
DUNLOP FINGERBOARD CARE KIT
YAMAHA DXR10 MKII ACTIVE LOUDSPEAKER
YAMAHA REFACE YC
K&M 16240 KITARR WALL MOUNT MUST
KORG KROSS 2 61 SÜNTESAATOR WORKSTATION
ERNIE BALL 5-KEELNE REGULAR BASS 45-130
ERNIE BALL POWER SLINKY BASS 55-110
GIBRALTAR GEMS SPECIAL STANDS MOUNTING STATION
SHURE SM63LB OMNIDIRECTIONAL DYNAMIC REPORTER MIKROFON MUST
ARTURIA MICROFREAK SÜNTESAATOR
AKG PERCEPTION LIVE P2
SHURE SM63L OMNIDIRECTIONAL DYNAMIC REPORTER MIKROFON
DADDARIO ACCESSORIES PWCT20 CHROMATIC PEDAAL TUNER
YAMAHA HW 880 HARDWARE KOMPLEKT
FENDER DOG BONE AMP HANDLE PRUUN
DADDARIO ACCESSORIES PWCT13 NS MICRO UNIVERSAL TUNER
ROLAND SPD-ONE TRUMM PAD KICK
IK MULTIMEDIA IRIG BLUEBOARD
DADDARIO ACCESSORIES PW-P047A PEDAAL COUPLER
STUDIO49 CS 44 XYLOPHONE MALLETS
DADDARIO ACCESSORIES 50PLJS01 PLANET LOCK
FENDER GTX-7 FOOTSWITCH FOR MUSTANG GTX AMPLIFIERS
MEINL CAJON MALLET SMALL HEAD
ERNIE BALL TAP TEMPO PEDAAL
PROMARK C-RODS COOL RODS
BOSS GT-1000 KITARR EFFECTS PROCESSOR
KORG NANOKONTROL STUDIO
BOSS LMB3 LIMITER ENHANCER
VIC FIRTH PRACTICE PAD 12
ORANGE AMP DETONATOR ABY SWITCHER
ELECTRO HARMONIX NANO POG
IK MULTIMEDIA IRIG BLUETURN
MEINL TAH1BAB HEADED TAMBURIIN
K&M 16235 KITARRI WALL MOUNT
HARDCASE 13"14"TOM COMBO KOHVER
DUNLOP BODYGLOSS 65 CREAM OF CARNAUBA
BOSS DD500 DIGITAALNE DELAY 