The Oceans 11’s reverbs are: 1. HALL – the rich reverberant sound of a grand concert hall 2. SPRING – pays homage to the classic Fender® 6G15 tube spring reverb 3. PLATE – the lush, warm reverb that got its name because a large metal plate was originally used to create it 4. REVRS – emulates the quirky reverse reverb effect where a note’s reverb fades-in backwards. (Jimmy Page claims to have invented it.) 5. ECHO –sends a recirculating echo thru the Plate reverb. The crisp clear delays get tastefully smudged by the airy plate reverb 6. TREM – reverb plus tremolo that’s applied to both the wet and dry mix of a Hall reverb, your choice of three different tremolo shapes 7. MOD – modulated reverb, three modes. Chorus laced onto the reverb tails creates a luscious atmospheric effect. Flanger wraps around the reverb tails and weaves a hypnotic tapestry. Chorus and flanger combined. 8. DYNA – Swell, gate and duck. Swell silences your notes’ attacks before blooming the tails back into the soundscape. Gate passes the reverb tail thru a noise gate that opens when it detects playing. (Phil Collins popularized the technique by applying it to drums.) Duck compresses the reverb tail while you’re playing and fades it back in when you’re resting. 9. AUTO-INF – Auto-infinite reverb that triggers a reverb wash for each note or chord. When a new one is struck, the previously resounding reverb crossfades to the new one 10. SHIM – Shimmer generates a rich octave-shifted reverb wash that modulates and blossoms behind your signal 11. POLY – Polyphonic reverb, two configurable bi-directional pitch shifts operating on your pre-reverb signal. Combine dissonant intervals with near infinite decays to create disorienting soundtracks, or choose perfect/major intervals to generate creative harmonies when jumping around a key signature The Oceans 11 features powerful, yet intuitive “hidden” parameters accessible thru its Secondary Knob Mode that let the player take greater control of its effects. An internal Tails switch also provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a fresh reverb effect complete with adjustable parameters!
188.00 €
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STAGG 4 KANALIGA STEREO KÕRVAKLAPPIDE VÕIMENDI
K&M 21336 DISTANCE ROD
GIBRALTAR 5 IN. BLACK PORT HOLE RING
ERNIE BALL .050 WOUND ÜKSIK KEEL
KLOTZ AY10200 INSERT-KAABEL 2M
ERNIE BALL .014 PLAIN ÜKSIK KEEL
PROSS KÕLAPLAAT C2
AKAI MPC X THE STUDIO CENTERPIECE
BOSS OS2 OVERDRIVE DISTORTION
K&M ADJUSTABLE STUDIO NEAR-FIELD MONITOR STATIIV MUST
FENDER FRONTMAN 10G
BOSS GT100 KITARR EFFECTS PROCESSOR
ERNIE BALL .013 RPS PLAIN ÜKSIK KEEL
FENDER NECK MOUNTING SCREWS 4PCS
YAMAHA YSL 881G 02
ERNIE BALL .054 WOUND ÜKSIK KEEL
ZOOM A1X FOUR ACOUSTIC INSTRUMENT MULTI-EFFECTS PROCESSOR
DADDARIO ACCESSORIES RIHM PWS100
YAMAHA YDS-150 DIGITAALNE SAKSOFON
ERNIE BALL .022 WOUND ÜKSIK KEEL
YAMAHA PICCOLO FLÖÖDI PUHASTUSVARRAS BMMCRODPC02
KLOTZ HDMI KAABEL 3M PLUG A-A
SHURE BETA58A
MXR M195 NOISE CLAMP
KORG NANOPAD 2 BK
KEELEY LOOMER FUZZ REVERB
LINE 6 RELAY G10II DIGITAALNE WIRELESS KITARR SYSTEM
ERNIE BALL .028 WOUND ÜKSIK KEEL
ERNIE BALL .052 WOUND ÜKSIK KEEL
PRS SE-SANTANA KOLLANE
EVANS EC2S FROSTED 14 IN.
BOSS BC2 COMBO DRIVE
DADDARIO ACCESSORIES LEMON OIL CLEANER PLMN
VOX VFS5 FOOTSWITCH
EVANS 20 EMAD RESONANT MUST
ROLAND GR55GK KITARR SÜNTESAATOR + GK3 HELIVÕTJA
DEATH BY AUDIO ECHO DREAM 2 DELAY
DADDARIO ACCESSORIES 25LK02 KISS RIHM
YAMAHA TRBX304 VALGE
AKG D40
BOSS SD1 SUPER OVERDRIVE
FENDER MONOGRAM RIHM WBY
MXR M300 REVERB 