Summary
The guitarist with an eye and ear for late-’60s Fender silver panel style will love the ’68 Custom Princeton Reverb, which honors the classic look and great sound of that era’s amps. Small, light, and moderately powered, longtime recording and gigging favorite the Princeton Reverb received a fresh new face in 1968 – a silver-and-turquoise front panel with aluminum grille cloth trim, with tone, reverb,b and tremolo that was still pure Fender. The ’68 Custom Princeton Reverb also has modified tone circuitry for greater tonal flexibility with pedals and reduced negative feedback for greater touch sensitivity and quicker overdrive onset.
Features
- 12 watts
- 10″ Celestion® Ten 30 speaker
- Late-’60s Fender silver panel look
- Modified Princeton Reverb all-tube circuitry
- Handwired tube sockets
- Custom-made Schumacher® transformers
- Fender tube-driven spring reverb and tremolo

SHURE BETA57A
SEYMOUR DUNCAN STK-4M CLASSIC STACK PLUS STRAT MIDDLE PICKUP RW/RP BLACK
YAMAHA YTR 8445 CUSTOM C TRUMPET
M-AUDIO UBER MIC
AHEAD STICK TIP BALL
GIBRALTAR 6 IN. BLACK PORT HOLE RINGS
AKG PERCEPTION 120
EVANS MIN-EMAD TOM AND SNR DAMPERS
PALMER PAN02 DI-BOX
BEYERDYNAMIC DT-770 PRO 80 OHMS
YAMAHA YTR 8335 CUSTOM XENO Bb TRUMPET
AKG PERCEPTION 170
AKG PERCEPTION LIVE P2
EVANS 18 GENERA G2 COATED TOM HEAD
DADDARIO WOODWINDS RICO JAZZ SSAX 3H FILED
SHURE BETA91A CONDENSER BOUNDARY MICROPHONE
FENDER '51 NOCASTER PICKUP
AKG PERCEPTION 220
AKG PERCEPTION LIVE P3S
EVANS EQPB1 BLACK NYLON BASS PATCH
DADDARIO WOODWINDS RICO HEMKE ASAX 3,5
VIC FIRTH SIH3 STEREO ISOLATION HEADPHONES
AKG PERCEPTION LIVE P4
YAMAHA AG01 LIVE STREAMING USB MICROPHONE WITH MIXER BLACK
STAGG STRAIGHT MUTE FOR TROMBONE
MEINL 17BYZANCE THIN CRASH 


