The Oceans 11’s reverbs are: 1. HALL – the rich reverberant sound of a grand concert hall 2. SPRING – pays homage to the classic Fender® 6G15 tube spring reverb 3. PLATE – the lush, warm reverb that got its name because a large metal plate was originally used to create it 4. REVRS – emulates the quirky reverse reverb effect where a note’s reverb fades-in backwards. (Jimmy Page claims to have invented it.) 5. ECHO –sends a recirculating echo thru the Plate reverb. The crisp clear delays get tastefully smudged by the airy plate reverb 6. TREM – reverb plus tremolo that’s applied to both the wet and dry mix of a Hall reverb, your choice of three different tremolo shapes 7. MOD – modulated reverb, three modes. Chorus laced onto the reverb tails creates a luscious atmospheric effect. Flanger wraps around the reverb tails and weaves a hypnotic tapestry. Chorus and flanger combined. 8. DYNA – Swell, gate and duck. Swell silences your notes’ attacks before blooming the tails back into the soundscape. Gate passes the reverb tail thru a noise gate that opens when it detects playing. (Phil Collins popularized the technique by applying it to drums.) Duck compresses the reverb tail while you’re playing and fades it back in when you’re resting. 9. AUTO-INF – Auto-infinite reverb that triggers a reverb wash for each note or chord. When a new one is struck, the previously resounding reverb crossfades to the new one 10. SHIM – Shimmer generates a rich octave-shifted reverb wash that modulates and blossoms behind your signal 11. POLY – Polyphonic reverb, two configurable bi-directional pitch shifts operating on your pre-reverb signal. Combine dissonant intervals with near infinite decays to create disorienting soundtracks, or choose perfect/major intervals to generate creative harmonies when jumping around a key signature The Oceans 11 features powerful, yet intuitive “hidden” parameters accessible thru its Secondary Knob Mode that let the player take greater control of its effects. An internal Tails switch also provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a fresh reverb effect complete with adjustable parameters!
188.00 €
– 11 different reverb types: HALL, SPRING, PLATE, REVRS, ECHO, TREM, MOD, DYNA, AUTO-INF, SHIM and POLY
– Tails switch. Select whether the reverb fades out naturally or stops immediately when the pedal is switched to bypass
– Easy access to powerful “hidden” parameters thru Secondary Knob Mode
– Able to produce infinite reverb you can play over in most settings
– EHX 9.6VDC-200mA power supply Included
– Current Draw: 150mA @ 9VDC
– Dimensions in inches: 2.75(w) x 4.5(l) x 2.1(h)
– Dimensions in mm: 70(w) x 115(l) x 54(h)
Saadaval järeltellimisel, tarneaja täpsustamiseks esitage küsimus!

IBANEZ GRG 121DX WALNUT FLAT
YAMAHA BB 234 BLACK
YAMAHA TRBX174 BLACK
KLOTZ SC1 SPEAKER CABLE SPEAKON-JACK 2M
AKG D7
KLOTZ KIK 1,5M INSTRUMENT CABLE BLACK
TAYLOR 614CE V-CLASS
SENNHEISER HD25 LIGHT
IBANEZ RG421-MOL MAHOGANY OIL ELECTRIC GUITAR
DADDARIO EJ12 80/20 BRONZE
KLOTZ SC-1 SPEAKER ADAPTER 0.3M XLR FEM
YAMAHA CPX 700II BL
KLOTZ M1 MIC CABLE 1M XLR-XLR
DADDARIO WOODWINDS RICO LA VOZ ASAX MEDIUM HARD
TAYLOR 612CE V-CLASS
IBANEZ GSA60BKN BLACK NIGHT
D'ADDARIO RICO ORGANIC RESERVE 2,5 SOPRANO SAXOPHONE REEDS (X 3)
LINE6 DL4MKII DELAY MODELER
YAMAHA TRBX174 OVS
YAMAHA TRBX 174EW TBL
STAGG PHB-100 PICK HOLDER VARIOUS COLOURS
YAMAHA FX 370CTBS ELECTRO-ACOUSTIC GUITAR, TOBACCO SUNBURST
YAMAHA APX 700II SB
IBANEZ GSR180-BK
TAYLOR 512CE V-CLASS
TAYLOR 312CE V-CLASS GRAND CONCERT
IBANEZ GRG 140 HSS SUNBURST
GIBSON FLYING V 70S CLASSIC WHITE
SHURE BETA91A CONDENSER BOUNDARY MICROPHONE
SQUIER MINI STRAT BLK
YAMAHA BB 234 VINTAGE WHITE
KLOTZ TM.STEVENS FUNKMASTER ANGLED 6M
K&M UKULELE HOLDER
TAYLOR 110E
FENDER TRE-VERB DIGITAL REVERB/TREMOLO 