Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

ROLAND UMONEMKII USB MIDI INTERFACE
MXR M234 ANALOG CHORUS
STAGG FRENCH HORN STOP MUTE
ERNIE BALL EARTHWOOD EXTRA LIGHT 10-50
ERNIE BALL 5-STRING SUPER SLINKY 40-125
IBANEZ GA5TCE CLASSICAL GUITAR W/ PICK-UP
MEINL NINOADJ4S WOOD DJEMBE
PROTECTION RACKET 9017 PERCUSSION BAG
DADDARIO ACCESSORIES 25LB04 BEATLES STRAP
EVANS 20 EQ3 BATTER CLEAR BASSDRUM HEAD
EVANS 20 EQ4 BATTER CLEAR
EVANS 10 ONYX 2-PLY COATED
EVANS EC2S FROSTED 18 IN.
EVANS EC2 COATED 13 INCH
DADDARIO ECG24 CHROMES
YAMAHA HW680 HARDWARE SET
KLOTZ USB CABLE A-PLUG/A-PLUG 1M
YAMAHA YAH 203 ALTO HORN
ERNIE BALL POWER SLINKY 11-48
DADDARIO ACCESSORIES 50AL01 ALCHEMY GUITAR STRAP MUTED SKULLS
ERNIE BALL BEEFY SLINKY 11-54
YAMAHA POLISHING CLOTH YELLOW (S)
KLOTZ ASMM0150 STEREO-CABLE 1,5m.
YAMAHA A1RIIVN ELECTRIC ACOUSTIC GUITAR VINTAGE NATURAL
ROCKBOARD DUO 2.2 PEDALBOARD WITH GIG BAG
YAMAHA YSV-104 RED SILENT VIOLIN
TAYLOR K24CE KOA
K&M 21367 DISTANCE ROD RING LOCK BLACK
YAMAHA STAGE CUSTOM BIRCH 2F5 RAVEN BLACK
DADDARIO ACCESSORIES AUTO-TRIM 3+3 PWAT332L
GIBRALTAR GCS-LSP CONGA STAND
YAMAHA YTR 8345S CUSTOM Bb TRUMPET SILVER PLATED
YAMAHA U1 TA3 TRANSACOUSTIC SILENT PIANO POLISHED EBONY
AKG K240 STUDIO
ERNIE BALL SUPER SLINKY BASS 45-100
YAMAHA GL1 GUITALELE
YAMAHA YBL 620GE Bb/F/Es(D) PROFESSIONAL BASS TROMBONE
TAYLOR 214CE KOA DELUXE
MOOER BLACK SECRET DISTORTION MDS1
VIC FIRTH 2BN AMERICAN CLASSIC NYLON TIP
PROTECTION RACKET 1618 BASS DRUM CASE
PEARL EXPORT EXX705C STUDIO DRUMSET JET BLACK
VIC FIRTH VKB2 WOODEN CAJON BEATER
MEINL NINO EGG SHAKER VARIOUS COLOURS
EVANS EC1 COATED 12 INCH
GIBSON LES PAUL STANDARD '50S TOBACCO BURST
YAMAHA P121M PE POLISHED EBONY 121CM
SENNHEISER XSW 1-835
PROTECTION RACKET 9113 DJEMBE BAG
KLOTZ M1 MIC CABLE 1M FEMALE XLR-JACK
LEVANTE LV-SB5105 BASS SAXOPHONE WITH LIGHT CASE
KLOTZ M1 MIC CABLE 3M FEMALE XLR-JACK
YAMAHA YFL-282 FLUTE
YAMAHA CX40III CLASSICAL GUITAR NATURAL WITH PIEZO
VIC FIRTH F1 WOOD TIP
GIBRALTAR 7615 PERCUSSION TABLE
LP GIOVANNI PALLADIUM 11 3/4 CONGA
PEARL PC110P CONGA STAND PRIMERO 11-INCH
IBANEZ GRG 140 HSS SUNBURST
MEINL MTB TIMBALE BAG
HOHNER BRAVO III 96 RED SILENT KEY
PRESONUS AIR XD 10 ACTIVE LOUDSPEAKER
K&M 23550 MIC.BAR Black
AHEAD STICK TIP TIP
HARDCASE 24"BASSDRUM CASE
EVANS 10 J1 ETCHED
STAGG MUSIC STAND MUSQ4
DUNLOP 6503 BODY AND FINGERBOARD CARE KIT
YAMAHA FX 370C 
