Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

ELECTRO HARMONIX WAILER WAH-WAH PEDAL
SHURE SRH440A RECORDING AND LIVE HEADPHONES
YAMAHA YPC 91
CUSTOM SHOP EAGLE WORK SHIRT SMALL
YAMAHA C40 CLASSICAL GUITAR NATURAL
YAMAHA CG 142S CLASSICAL GUITAR NATURAL SPRUCE SOLID WOOD
K&M 17581 ELECTRIC GUITAR STAND BLACK
EVANS COMPACT FLIP DRUM KEY
EVANS EC2 COATED 13 INCH
DUNLOP 228SI BRASS CHROMED SLIDE
MXR 78 CUSTOM BADASS DISTORTION
BOSS CE2W WAZA CHORUS
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DADDARIO ACCESSORIES FINGER PICKS MEDIUM 5 PACK
RODE RODELINK FILMMAKER KIT
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AUDIO-TECHNICA ATH-M50X CLOSED-BACK HEADPHONES
K&M 28481 RACK SHELF 1HE
K&M 14670 FOOTREST BLACK
KLOTZ TM.STEVENS FUNKMASTER 9M
PEARL 165 E PICCOLO FLUTE
TAYLOR 816CE BUILDERS EDITION V-CLASS
K&M 17541 ACOUSTIC GUITAR STAND BLACK
BOSS ST2 POWER STACK
STAGG 3/4 SOLID SPRUCE CELLO WITH BAG
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DADDARIO ACCESSORIES KEITH URBAN SIGNATURE PICKS MEDIUM
K&M 48260 16-UNIT STEEL RACK
DADDARIO WOODWINDS RICO LA VOZ TSAX MEDIUM SOFT
K&M 17540 ELECTRIC GUITAR STAND BLACK
K&M 16240 GUITAR WALL MOUNT BLACK
K&M 12231 POWER UNIT FOR STARLIGHT MINI
STAGG 2.4GHZ WIRELESS HEADSET
YAMAHA FX 370C
JACKSON RRX24MN X SERIES RHOADS SNOW WHITE
STAGG FPSM FINGERPICKSET MEDIUM
YAMAHA C30M CLASSICAL GUITAR NATURAL MATTE
BOSS PH3 INFINITE PHASER
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YAMAHA YPC 92
DADDARIO ACCESSORIES 25SS02DX SUEDE GUITAR STRAP HONEY
DADDARIO ACCESSORIES PWCT20 CHROMATIC PEDAL TUNER
ELECTRO HARMONIX POG2 POLYPHONIC OCTAVE GENERATOR
YAMAHA MY8 AD/DA96
YAMAHA B2E TC3 TRANSACOUSTIC PIANO POLISHED EBONY
K&M 17581 ELECTRIC GUITAR STAND CORK
KLOTZ ATJJ0600 TWINCABLE 6M
DADDARIO ACCESSORIES CLASSICAL PRO CAPO PWCP04
YAMAHA B2E SC3 SILENT PIANO POLISHED EBONY
YAMAHA C40 BLACK CLASSICAL GUITAR
DADDARIO WOODWINDS RICO ROYAL TSAX 2
KLOTZ ATCC0100 RCA TWIN CABLE 1m.
YAMAHA FX 370CBL
MOOER HUSTLE DRIVE DISTORTION MDS2
DADDARIO WOODWINDS RICO ROYAL CLARINET 3
K&M 17515 GUARDIAN STAND FOR 5 GUITARS
ALESIS ACOUSTIC LINK
DUNLOP NC65 NECK CRADLE
K&M 28130 AMP STAND
TAYLOR 214CE KOA DELUXE
TAYLOR K24CE KOA
PRS S2 SC MCCARTY 594 MCCARTY SUNBURST
IBANEZ AM53TF AM SERIES HOLLOW BODY ELECTRIC GUITAR TOBACCO FLAT
K&M 14761 GUITAR PERFORMER STAND
MOOER ENSEMBLE KING CHORUS PEDAL
KLOTZ AS-MJ0090 MINI JACK-JACK
DUNLOP BODYGLOSS 65 CREAM OF CARNAUBA
YAMAHA CG 182S CLASSICAL GUITAR NATURAL SPRUCE SOLID WOOD 
