Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

SHURE BLX14E/P31 WIRELESS HEADSET MIC SYSTEM
DADDARIO ACCESSORIES HYGROMETER PWHTS
LINE 6 RELAY G10II DIGITAL WIRELESS GUITAR SYSTEM
K&M 210/9 MIC.STAND BLACK
KLOTZ TM.STEVENS FUNKMASTER 3M
KLOTZ M1 MIC CABLE 7.5M XLR-XLR
SMT SPEAKON SPEAKERMOUNT
MOOER CRUNCHER DISTORTION
PEARL 105 E PICCOLO FLUTE
STAGG FPSM FINGERPICKSET MEDIUM
CLAVIA NORD ELECTRO 6D 73
ROLAND JC-22 JAZZ CHORUS
BÖSENDORFER GRAND PIANO 185VC
K&M 17581 ELECTRIC GUITAR STAND CORK
RICO BY D'ADDARIO SOPRANO SAXOPHONE REEDS 1.5 (3 PACK)
ZOOM B1X FOUR BASS MULTI EFFECTS
KALA MAKALA SOPRANO UKULELE PACK WITH TUNER & BAG
K&M BOOM CABLE CLIP 15MM
DADDARIO ACCESSORIES UKULELE PICK FELT 3MM
PRESONUS HP4 4-CHANNEL HEADPHONE DISTRIBUTION SYSTEM
AKG K240 STUDIO
YAMAHA ARIUS YDP-146 DIGITAL PIANO WHITE
YAMAHA YUS3S PE
K&M 28130 AMP STAND
K&M 28451 VENTILATION PANEL 1-SPACE
YAMAHA CG 142C CLASSICAL GUITAR NATURAL CEDAR SOLID WOOD
MXR M77 CUSTOM BADASS OVERDRIVE
TAYLOR 314CE V-CLASS GRAND AUDITORIUM
YAMAHA HPH-100 BLACK
K&M 12297 PIANO LAMP BLACK
STAGG FPSL FINGERPICKSET LARGE
CASIO AP-550 CELVIANO DIGITAL PIANO, BLACK
GÖLDO PICKUP SCREW 2,9X22MM DIR.TO WOOD
K&M 17590 EL.GUITAR STAND
DADDARIO ACCESSORIES ACOUSTIC GUITAR HUMIDIFIER
STAGG CTUC9 CLIP-ON TUNER
BOSS CE2W WAZA CHORUS
DADDARIO ACCESSORIES SATRIANI PICK SET BLACK 10-PACK
AKG PERCEPTION LIVE P4
AKG HSC271 HEADSET
ERNIE BALL EARTHWOOD PHOSPHOR BRONZE ACOUSTIC 11-52
BOSS ST2 POWER STACK
YAMAHA APX 700II SB
STAGG 52 SERIES DOUBLE BASS DRUM PEDAL
TAYLOR 312CE V-CLASS GRAND CONCERT
AKG WMS40 MINI VOCAL SET BD ISM3
TAYLOR 814CE 
