Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

GIBRALTAR SC-4C TENSION RODS
PROSS KÕLAPLAAT C2
YAMAHA CG 162C CLASSICAL GUITAR NATURAL CEDAR SOLID WOOD
K&M 17550 GUITAR STAND MEMPHIS TRAVEL
WARWICK BONE NUT BLANK 42 MM
TAYLOR 414CE V-CLASS
DADDARIO ACCESSORIES UKULELE PICK FELT 3MM
DADDARIO ACCESSORIES FINGER PICKS MEDIUM 5 PACK
FENDER STRING NUT BLANKS
YAMAHA YFL212 FLUTE
YAMAHA CG-192C CLASSICAL GUITAR NATURAL CEDAR SOLID WOOD
YAMAHA FX 370C
VIC FIRTH 2BN AMERICAN CLASSIC NYLON TIP
K&M 18MM RUBBER FOOT
STAGG 975 PANEL FEMALE
DADDARIO ACCESSORIES STD ACRYLUX RESO 25PACK
STAGG 976 PANEL MALE
SENNHEISER HD-25 COILED CABLE
VIC FIRTH 5A AMERICAN CLASSIC WOOD TIP
TAYLOR GUITAR SLIDE EBONY 7/8 LARGE
DADDARIO ACCESSORIES STD ACRYLUX NITRA 25-PACK
GRAPH TECH BLACK TUSQ XL PT 6115 ACOUSTIC/ELECTRIC GUITAR NUT FLAT SLOTTED 6-STRING
DADDARIO ACCESSORIES BEATLES 15 PACK PICK TIN STRIPES
DUNLOP 204SI REGULAR MEDIUM KNUCKLE TEMPERED GLASS SLIDE
TAKAMINE GY93 NAT
VIC FIRTH AMERICAN CLASSIC 5B WOOD TIP
DADDARIO ACCESSORIES 50PLA05 PLANET LOCK
YAMAHA CG 182C CLASSICAL GUITAR NATURAL CEDAR SOLID WOOD
ERNIE BALL MALE CONNECTOR PLUG
TAMA SPP522KC SILENT PRACTICE SET
DUNLOP JOHN PETRUCCI JAZZ III PICK PACK
DUNLOP 88N CLASSIC TRIGGER CAPO
STAGG SIA-ST PERSONAL IN-EAR MONITOR AMPLIFIER
FENDER CLASSIC SHELL PICK PACK 12PCS MEDIUM
STUDIO49 SGd SOPRANO GLOCKENSPIEL
DUNLOP AALP04 JAVIER REYES TORTEX JAZZ 3 BLACK XL GUITAR PICKS .73 (6-PACK)
YAMAHA C80 CLASSICAL GUITAR NATURAL
SENNHEISER XSW 1-825
YAMAHA TRBX-204 BRIGHT RED METALLIC
VIC FIRTH 5AN AMERICAN CLASSIC NYLON TIP
K&M CONDUCTOR STAND DESK 12338
RODE LAVALIER GO
TAYLOR 0,96 CLLOID 351 ABALONE 12 PICKS
DADDARIO EJ11 80/20 BRONZE
FENDER SPEED SLICK STRING CLEANER
DADDARIO ACCESSORIES 50PLB01 PLANET LOCK BLACK SATIN 
