Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

STAGG NMC1R N SERIES XLR/XLR CABLE
YAMAHA U1 PWH
YAMAHA PACIFICA 012RMII ELECTRIC GUITAR RED METALLIC
MXR M81 BASS PREAMP
TAYLOR K24CE KOA
YAMAHA C40 CLASSICAL GUITAR NATURAL
YAMAHA TRBX-204 BRIGHT RED METALLIC
MXR M287 SUB OCTAVE BASS FUZZ
PEARL FLUTE 795 RBE ELEGANTE
K&M MIGHTY BRIGHT 2-LED USB LIGHT SILVER
YAMAHA CLEANING SWAB FOR BASS CLARINET
YAMAHA B2E TC3 TRANSACOUSTIC PIANO POLISHED EBONY
YAMAHA U1 SAW
ERNIE BALL FINGER PICK
KLOTZ AY50200 Y-CABLE 2M
NEUTRIK NL4FX
YAMAHA YTR 6335 PROFESSIONAL Bb TRUMPET
MXR M116 FULLBORE METAL
FOCUSRITE SCARLETT SOLO 4TH GEN
GÖLDO STRAT PICKUP SCREW NICKEL
VINCENT BACH Bb TRUMPET 180S-37 STRADIVARIUS SILVER-PLATED
YAMAHA YFL-282 FLUTE
SHURE SM57LCE DYNAMIC MICROPHONE
YAMAHA CG 122MS CLASSICAL GUITAR NATURAL MATTE SPRUCE
YAMAHA FLUTE CLEANING ROD WOOD
YAMAHA PACIFICA 012WHII ELECTRIC GUITAR WHITE
K&M 17685 GUITAR STAND MEMPHIS 20
IBANEZ UV70P-BK STEVE VAI 7-STRING
K&M 17550 GUITAR STAND MEMPHIS TRAVEL
FENDER MTG TUBE TREMOLO
SHURE SRH840A-EFS
KLOTZ SC1 SPEAKER CABLE SPEAKON-JACK 5M
TAYLOR 312CE V-CLASS GRAND CONCERT
YAMAHA TRBX304 WHITE
KLOTZ KIK 2M INSTRUMENT CABLE BLACK
ORANGE OR15 15W GUITAR TUBE HEAD
YAMAHA CG-192C CLASSICAL GUITAR NATURAL CEDAR SOLID WOOD
BOSS TR2 TREMOLO
KLOTZ TM.STEVENS FUNKMASTER 9M
KLOTZ M1 MIC CABLE 1M MALE XLR-JACK
DADDARIO ACCESSORIES UKULELE PICK FELT 3MM
STAGG PHB-100 PICK HOLDER VARIOUS COLOURS
YAMAHA F310PII TBS ACOUSTIC GUITAR PACK TOBACCO SUNBURST
KLOTZ TITANIUM PEDAL PATCHER 0,30M
IBANEZ V54NJP ACUSTIC GUITAR SET, OPEN PORE NATURAL
STAGG NMC6R XLR DELUXE
K&M 10050 MUSIC STAND BLACK
YAMAHA FX 370CBL 
