Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

DADDARIO ACCESSORIES PWGR01 GUITAR REST
HOHNER MARINE BAND 1896 F-MAJOR
HOHNER SPECIAL-20 CLASSIC A-MAJOR
KLOTZ KIK 2M INSTRUMENT CABLE BLACK
HOHNER DIATONIC HARMONICA MARINE BAND 1896 G-MAJOR
KLOTZ M1 MIC CABLE 7.5M XLR-XLR
MXR M104 DISTORTION +
KLOTZ M1 MIC CABLE 10M XLR-XLR
ROLAND JUNO D-8 88-KEY PORTABLE SYNTHESIZER
ELECTRO HARMONIX BASS MONO SYNTH
KLOTZ AY30300 Y-CABLE JACK/2XRCA 3M.
K&M 48260 16-UNIT STEEL RACK
YAMAHA YTR 8335GS CUSTOM XENO Bb TRUMPET GOLD BRASS BELL SILVER PLATED
MOOER GREEN MILE OVERDRIVE
HOHNER MELODICA FIRE 32 RED
HOHNER SILVER STAR BB-MAJOR
ERNIE BALL HYBRID SLINKY 09-46
KLOTZ AY10300 INSERT CABLE 3M
YAMAHA YTR 2330S Bb STUDENT TROMPET SILVER PLATED + SOFT BAG
TAYLOR 0,96 CLLOID 351 ABALONE 12 PICKS
STAGG K18-104 DELUXE BLACK NYLON KEYBOARD BAG
IBANEZ RGA42FM BLF BLUE LAGOON BURST
KLOTZ AS-MJ0300 MINI JACK-JACK
YAMAHA YTR 8335RG CUSTOM Bb TRUMPET GOLD BRASS BELL
HOHNER SUPER CHROMONICA-48 F-MAJOR
ERNIE BALL EXTRA SLINKY 08-38
YAMAHA TRBX-204II ELECTRIC BASS GALAXY BLACK
ERNIE BALL POWER PEG PRO
YAMAHA MOUTHPIECE BRUSH (L)
DADDARIO ACCESSORIES AMERICAN STAGE PW-AMSM-25
FENDER STANDARD SERIES BASS BRIDGE SADDLE HEIGHT ADJUSTMENT SCREWS
BOSS SD1 SUPER OVERDRIVE
GÖLDO HUMBUCKER MOUNTING SCREW 2,2X16MM
DADDARIO ACCESSORIES GUITAR PICK 5-PACK MEDIUM
DADDARIO ACCESSORIES BASS PEG WINDER PWPW1B
K&M 17590 EL.GUITAR STAND
YAMAHA BB 234 BLACK
DADDARIO ACCESSORIES FRET POLISHING SYSTEM PWFRP
FENDER FAT '50 PICKUP SET
YAMAHA TYROS 5 61 KEY COVER BLACK
DUNLOP AALP04 JAVIER REYES TORTEX JAZZ 3 BLACK XL GUITAR PICKS .73 (6-PACK)
GÖLDO STRAT PICKUP SCREW NICKEL
FENDER CLASSIC '72 TELECASTER CUSTOM MN 3TS
YAMAHA DUSTCOVER DC210
KLOTZ ASMM0150 STEREO-CABLE 1,5m.
FENDER TELE CONTROL PLATE CHROME
D'ADDARIO RICO ORGANIC SELECT JAZZ FILED 2MEDIUM SOPRANO SAXOPHONE (X 3)
STAGG TUBE AND MOUTHPIECE FOR MELODICA
ERNIE BALL COATED BRONZE ACOUSTIC 13-56
DADDARIO ACCESSORIES CUSTOM SERIES 20FT CABLE
FENDER VINTAGE NOISELESS STRAT PICKUPS
CLAVIA NORD ELECTRO 6 HP
K&M 49411 PANEL 1-SPACE
ERNIE BALL EARTHWOOD MEDIUM 13-56
YAMAHA TRBX304 BLACK
YAMAHA YTR 8345G CUSTOM Bb TRUMPET GOLD BRASS BELL
YAMAHA FX 370CTBS 
