Perfectly Suited for the Studio and the Stage
The Taylor 214ce-KSB is an eye-catching example of Taylor’s dedication to quality sound and unbeatable playing experience. It’s made with premium materials — a solid Sitka spruce top paired with layered koa back and sides. These two tonewoods combine to create a warm tone with detailed articulation and powerful projection. You’ll love the sleek feel of the mahogany neck and ebony fingerboard. Plus, the Grand Auditorium body has a comfortable Venetian cutaway, which gives you unrestricted access to the upper frets. And if you’re planning to play onstage, the onboard ES-2 electronics will produce a natural, transparent, tone that’ll easily fit in almost any mix. The Taylor 214ce-K will be a great gigging or studio guitar for the discerning guitarist.
Layered koa delivers a rich tone
For many players, there’s not a tonewood that’s more sought-after than Hawaiian koa. This prized tonewood delivers a rich tone with a sweet midrange response. With the 214ce-K, Taylor offers you the chance to experience the sonic magic of koa without the prohibitive price tag. The layered construction sees multiple plies of koa married to an inner ply of highly resonant polar. Plus, layered tonewoods are ideal for areas with high levels of humidity and erratic temperatures.
Neo-Tropical mahogany neck plays easily
Acoustic guitar players agree that the hallmark of a good guitar is how well it plays. We’re pleased to report that the Taylor 214ce-K’s Neo-Tropical mahogany neck feels at home in your hand. It sports a comfortable neck carve and a smooth-as-glass ebony fingerboard for quick, comfortable playing. We like the neck of 214ce-K, and we feel confident that you will too.
ES-2 electronics accurately reproduce the acoustic character
For your plugged-in pleasure, the 214ce-K comes loaded with Taylor’s well-loved ES-2 electronics. This proprietary pickup system features three pickups located behind the saddle. This positioning allows the pickups to capture a more complete version of the sound. When you plug into your favorite acoustic amp for the first time, you’ll notice that your acoustic sounds clearer and more accurate than other guitars with under-saddle pickups. A trio of controls located on the upper bout helps you dial in your sound to fit perfectly into any arrangement.
Taylor 214ce-K Acoustic-electric Guitar Features:
- Eye-catching acoustic-electric with top-notch tonewoods
- Solid Sitka spruce top enhances projection and note definition
- Layered koa back and sides create a warm, sweet tone
- ES-2 electronics re-create an accurate acoustic tone
- Mahogany neck and ebony fingerboard feel sleek and easy to play
- Grand Auditorium body shape delivers robust lows and sparkling highs
- Venetian cutaway enables easy access to the upper frets

YAMAHA YTR 9335CHS CUSTOM CHICAGO Bb TRUMPET
AKAI EWI 5000 WIRELESS ELECTRONIC WIND INSTRUMENT
YAMAHA TRBX174 EXOTIC WOOD RTB
HAGSTROM VIKING WHITE ELECTRIC GUITAR
KLOTZ MIDI CABLE 3M
KLOTZ KIK 2M INSTRUMENT CABLE BLACK
DADDARIO ACCESSORIES 50B01 WOVEN GUITAR STRAP BLACK SATIN
FENDER PURE VINTAGE 14" SMALL TILT BACK LEGS
MXR M300 REVERB
YAMAHA APX 700II BL
PAISTE 14 PST 8 REFLECTOR MEDIUM HATS
GRETSCH G5420T ELECTROMATIC HOLLOW-BODY SINGLE CUT WALNUT STAIN
DADDARIO ACCESSORIES 50A07 WOVEN GUITAR STRAP CELTIC
YAMAHA MOUTHPIECE BRUSH (L)
MEINL 17BYZANCE THIN CRASH
TAYLOR 914CE V-CLASS
KLOTZ TITANIUM PSP ANGLED 9M SUPREME GUITAR CABLE WITH SILENTPLUG
TAKAMINE GD10-NS
TAYLOR 412CE V-CLASS
YAMAHA TRBX304 WHITE
DADDARIO ACCESSORIES 50A12 WOVEN GUITAR STRAP VOODOO
K&M 115/2 SHEET HOLDER BLACK
MEINL 18BYZANCE MEDIUM THIN CRASH
MXR M169 CARBON COPY ANALOG DELAY
TAYLOR 512CE V-CLASS 
