Here are some tips on getting optimum performance from the B9 Organ Machine.
1. The B9 is best as the first pedal in an effects chain. Place modulation delay and reverb effects after the B9. The unit will not perform well if placed in the effects loop of a guitar amp.
2. The unit performs best using the bridge pickup of a guitar. If a guitars pickup has a weak output, performance can be improved by putting a clean boost or a compressor in front of the B9. It is not advised to place a distortion or overdrive in front of the B9. This will muddy up the input signal and cause the tracking to be unstable. If overdrive or distortion is desired it’s best to place it after the B9.
3. Some guitar amplifiers have a uneven peaky frequency response that may cause some sounds to be over accentuated. A compressor in front or after the B9 can help smooth this out. This helps for a guitar player who’s playing is less than desirable in the dynamics department.
4. The B9 was designed to be used with a guitar. The unit can be used with a bass guitar BUT the range the bass player can play will be limited. The unit tracks best above the C note, third fret on the A string. Below that performance is compromised and not recommended.
5. The top range using a guitar in standard tuning is the 23rd fret. Above that the organ sound will not be heard.
6. Garbage in Garbage out. The B9 tracks great and will follow what ever you play, but it is not a talent booster. Sloppy guitar playing will sound like a sloppy organ player. The B9 will bend notes just a regular guitar does. Organs do not bend, so for a more authentic organ sound limit bending.
– Transform the tone of a guitar or keyboard into that of a convincing full body, electric organ
– 9 presets that were finely tuned to emulate some of the most popular and classic electric organ tones
– Control over percussive attack level, modulation speed, organ and dry volume
– Rugged and easy to use
– Use together with the C9 for dual keyboard possibilities!
– EHX 9.6DC-200 PSU included
– Dimensions in inches: 4.0 (w) x 4.75 (l) x 2.25 (h)
– Dimensions in mm: 102 (w) x 121 (l) x 89 (h)

K&M 14085 PIANO BENCH BLACK IMITATION LEATHER
JBL 305P MKII BLACK MONITOR
STAGG MATT PIANO BENCH ROSEWOOD WITH BLACK VINYL TOP
LINE 6 SPIDER V 30 MKII 1X8 30-WATT MODELING COMBO AMP
YAMAHA YAS 480 ALTO SAXOPHONE
FENDER PRO GLOW IN THE DARK CABLE GREEN 3M
NINO PLASTIC EGG MARACAS GREEN
KLOTZ KIK 4,5M INSTRUMENT CABLE BLACK
ROLAND RPB400WH PIANO BENCH WHITE VINYL TOP
YAMAHA YBB 321 TUBA
STAGG PB36 HIGHGLOSS BLACK PIANO BENCH WITH BLACK VINYL TOP
DADDARIO ACCESSORIES 50C02 WOVEN GUITAR STRAP CHECK MATE
DADDARIO ACCESSORIES 50B01 WOVEN GUITAR STRAP BLACK SATIN
DADDARIO WOODWINDS RICO LA VOZ ASAX MEDIUM HARD
MOOER HORNET 15W MODELING GUITAR AMPLIFIER BLACK
YANAGISAWA EB-ALTSAXOPHONE A-WO20 ELITE
CLAVIA SOFT CASE NORD ELECTRO 73
YAMAHA MG12 XU MIXING CONSOLE
MEINL MCCYS8 CYMBAL STACKER
K&M 17550 GUITAR STAND MEMPHIS TRAVEL
YAMAHA YDS-150 DIGITAL SAXOPHONE
STAGG SCK-TP CARE KIT TRUMPET
YAMAHA YAS 875EXS EX CUSTOM ALTO SAXOPHONE SILVER PLATED
LEVANTE LV-SB5105 BASS SAXOPHONE WITH LIGHT CASE
K&M 17685 GUITAR STAND MEMPHIS 20
YAMAHA YBB 105 TUBA
FENDER SWELL NEOPRENE STRAP 2''
STAGG HIGHGLOSS PIANO BENCH IVORY WITH WHITE VELVET TOP
VIC FIRTH ROCK AMERICAN CLASSIC DRUMSTICKS
YAMAHA YAS-875 EX CUSTOM ALTO SAXOPHONE
STAGG HIGHGLOSS WHITE PIANO BENCH WITH WHITE VELVET TOP
VIC FIRTH STEVE GADD SIGNATURE SERIES DRUMSTICKS
K&M 14077 KEYBOARD BENCH WHITE IMITATION LEATEHR
DADDARIO ACCESSORIES COTTON STRAP NATURAL
ZOOM G1 FOUR GUITAR MULTI EFFECT PEDAL
K&M 101 MUSIC STAND BLACK
DADDARIO WOODWINDS RICO HEMKE TSAX 3,5
DADDARIO WOODWINDS RICO ROYAL CLARINET 3,5
CASIO CDP-S160 COMPACT DIGITAL PIANO WITH STAND RED
PRESONUS FADERPORT V2 USB CONTROL SURFACE
AHEAD STICK TIP TIP 
