Take the stage by storm
As an electric guitarist in the 1980s, if you wanted to play acoustic on stage there were few options for you that really worked. In 1987, Yamaha made the first acoustic guitar that could be taken from a guitar rack, plugged in and played at volume, problem free; no more howling feedback, misplaced mics or the dreaded extended sound check….
The APX series didn’t just focus on sound – every element was tweaked to be an easy switch for an electric player on-stage, from the stylish finishes to the cutaway body and the slim, electric-guitar style neck.
In any electro-acoustic, the combination of the guitar’s acoustic sound and its pickup is the heart of the sound. The latest APX600 features a unique undersaddle piezo pickup, Yamaha’s proprietary Pickup-R transducer – the same pickup as featured in the highly acclaimed A Series range and boasting incredible dynamic range, natural tone and the feedback rejection and mix-friendly sound that guitarists need and want. Yamaha’s legendary active preamp is still a big feature of APX, and being built by Yamaha’s audio-visual division, the sound quality is everything you’d expect from the world’s number one.
Styles have changed a little since 1987, but the essence of APX is the same as ever. Today’s APX guitars boast a more natural look, 5mm deeper body for better bass response and greater volume and, under the hood, a new non-scalloped bracing pattern for a responsive, dynamic tone.
The archetypal APX, the 600 series combines the outstanding comfort and perfect on-stage tone of the APX500 with
Thin Body and Cutaway For Excellent Playability
634 mm Scale Length for Enhanced Comfort
Narrower String Spacing Makes Stretching for Chords Easier
New Bracing Pattern For More Powerful Bass Response
Stage-focused Pickup Sound to Cut Through a Mix
Inlaid Soundhole Rosette
SPECS
Body Shape: APX Shape
Scale Length: 634 mm (25”)
Body Length: 490 mm (19 5/16″)
Total Length: 1022 mm (40 1/4″)
Body Width: 384 mm (15 1/8″)
Body Depth: 80-90 mm (3 1/8″ – 3 9/16″)
Nut Width: 43 mm (1 11/16”)
String Spacing*: 10.0 mm
Top Material: Spruce
Back Material: Nato
Side Material: Nato
Neck Material: Locally Sourced Tonewood**
Fingerboard Material: Rosewood
Fingerboard Radius: R 400 mm (23 5/8″)
Bridge Material: Rosewood
Nut Material: Urea
Saddle Material: Urea
Bridge Pins: Black ABS with White Dot
Tuners: Die-cast Chrome (TM29T)
Body Binding: Ivory + Black
Soundhole Inlay: ABS + Abalone
Pickguard: None
Body Finish: Gloss
Neck Finish: Matt (Gloss for BL, VW color variation)
Electronics: SYSTEM65 + SRT Piezo Pickup
Controls: Vol/3-band EQ/Tuner/Mid FQ
Connections: LINE OUT
Strings: .012/.016/.024/.032/.042/.053
Accessories: Hex Wrench, 2 x AA Batteries
Case: Not included

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BOSS TU3 CHROMATIC TUNER
YAMAHA P121M PWH POLISHED WHITE 121CM
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AKG K72
DADDARIO ACCESSORIES UKULELE PICK FELT 3MM
DADDARIO ACCESSORIES KEITH URBAN SIGNATURE PICKS MEDIUM
DADDARIO WOODWINDS RICO JAZZ SSAX 3H FILED
YAMAHA YRA 27III GERMAN SYSTEM ALTO RECORDER
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BEYERDYNAMIC DT-770 PRO 250 OHMS
BOSS BD2 BLUES DRIVER
KLOTZ SC-1 SPEAKER CABLE SPEAKON 5M
BOSS DS2 TURBO DISTORTION
STAGG FPSL FINGERPICKSET LARGE
DADDARIO ACCESSORIES SATRIANI PICK SET BLACK 10-PACK
IBANEZ GSR180-BK
STAGG 925 FEMALE XLR
PRS SE-SANTANA YELLOW
PRESONUS AIR18S ACTIVE SUBWOOFER
JBL PRX 812W 12” TWO-WAY FULL-RANGE MAIN SYSTEM/FLOOR MONITOR WITH WI-FI
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DAS AUDIO FACTOR 5
K&M 17580 AC.GUITAR STAND HELI 2 CORK
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ELECTRO HARMONIX OCEANS 11
FRAMUS MACHINEHEADS RIGHT (TREBLE SIDE) CHROME
MARTIN NICKEL WOUND VEGA BANJO STRINGS V700 LIGHT
AKG WMS470 PRESENTER WIRELESS SET
MOOER REECHO DIGITAL DELAY
YAMAHA FG800 BLACK
YAMAHA EMX5
IBANEZ GSR205B-WNF 5 STRING ELECTRIC BASS WALNUT FLAT
SMT XLR MALE PANELMOUNT
IBANEZ PF-15 BLACK
KLOTZ AD10 ACTIVE DIBOX
FENDER MARINE LAYER REVERB PEDAL
YAMAHA JR1
YAMAHA TRBX 174EW TBL
AKG PERCEPTION 820 TUBE
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DADDARIO ACCESSORIES 25LK03 KISS STRAP
KLOTZ JACK TO SPEAKON SPEAKER CABLE 2M
YAMAHA KP100 KICK PAD
IBANEZ PF-15 NATURAL
YAMAHA TRBX305 BLACK
DADDARIO ACCESSORIES 50B05
K&M 210/2 MICROPHONE STAND BLACK
TAYLOR 612CE V-CLASS 
