Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

MXR M133 MICRO AMP
KLOTZ ATCM0200 TWINCABLE 2M
FENDER GUITARS AND AMPS PICK HOLDER BARSTOOL 30-INCH
STAGG FPSL FINGERPICKSET LARGE
AMPEG SVT410HLF
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YAMAHA B2E PW UPRIGHT PIANO POLISHED WALNUT 113CM
KEELEY COMPRESSOR GC-2 LIMITING AMPLIFIER COMPRESSOR LIMITER
YAMAHA B2E PWH UPRIGHT PIANO POLISHED WHITE 113cm
SHURE SM86 VOCAL MICROPHONE
BOSS ODB3 BASS OVERDRIVE
YAMAHA WS860
ROLAND HP704 DIGITAL PIANO WHITE
YAMAHA DZR 315
K&M 16240 GUITAR WALL MOUNT BLACK
YAMAHA TROMBONE FLEXIBLE CLEANING BRUSH
FENDER VINTAGE-STYLE STRATOCASTER® STRING GUIDES CHROME
YAMAHA U1 PE
K&M 17550 GUITAR STAND MEMPHIS TRAVEL
DADDARIO ACCESSORIES PWCT16 NS MICRO BANJO TUNER
DADDARIO ACCESSORIES XLR8 STRING CLEANER
BOSS KTN100 AMP COVER
YAMAHA TRANSACOUSTIC SILENT PIANO YUS5 TA3 PE GLOSSY BLACK
YAMAHA YTC5 HEADSTOCK TUNER
YAMAHA ARIUS YDP-S55 DIGITAL PIANO WHITE
YAMAHA BRASS SOAP
DADDARIO EJ15 PHOSPHOR BRONZE
EVH 5150 III MINI 1X12 CABINET IVORY
FOCUSRITE SCARLETT 4I4 4TH GEN USB AUDIO INTERFACE
AHEAD REPLACEMENT RING FOR 5A/7A BLACK
YAMAHA YFL-422 FLUTE
FOCUSRITE SCARLETT SOLO 4TH GEN
STAGG BX-TUNER MINI STOMP BOX
MOOER TRELICOPTER OPTICAL TREMOLO
YAMAHA YRS 24B BAROQUE SYSTEM SOPRANO RECORDER WHITE
K&M HEADPHONES TABLE STAND BLACK
YAMAHA AC1MII VN ELECTRIC ACOUSTIC GUITAR VINTAGE NATURAL
ERNIE BALL EARTHWOOD 12 STRING LIGHT
DADDARIO ACCESSORIES UKULELE PICK FELT 3MM
K&M 17540 ELECTRIC GUITAR STAND BLACK
SHURE BLX14E BODYPACK WIRELESS SYSTEM
DADDARIO ACCESSORIES SATRIANI PICK SET BLACK 10-PACK
YAMAHA S3X SH3 PE PREMIUM SILENT PIANO 186CM
CASIO PRIVIA PX-870 DIGITAL PIANO BLACK
KLOTZ AY30300 Y-CABLE JACK/2XRCA 3M.
SHURE BLX24E SM58 WIRELESS SYSTEM
MOOER MOD FACTORY MKII MULTI MODULATION
FENDER STEEL SLIDE STD MEDIUM
SHURE BETA52A
SHURE BETA91A CONDENSER BOUNDARY MICROPHONE
YAMAHA SE122 PE
SHURE BETA87A
YAMAHA APX 700II BL
IBANEZ GRG121DX-BKF
KLOTZ M1 MIC CABLE 5M MALE XLR-JACK
YAMAHA AC3MARE TBS 
