Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

DADDARIO ACCESSORIES INJECTED MOLDED BRIDGE PINS WITH END PIN SET IVORY WITH EBONY DOT
ORANGE PEDAL BABY 100
ERNIE BALL 6 STRING BARITONE 13-72
BOSS DS1 DISTORTION
ROCKCARE BOARD HOOK & LOOP TAPE
STAGG PHB-100 PICK HOLDER VARIOUS COLOURS
ERNIE BALL FINGER PICK
GIBRALTAR SC-19A CYMBAL SLEEVE
ORANGE OR15 15W GUITAR TUBE HEAD
STAGG NMC10XPR XLR/PLUG CABLE 10M
SUPRO DELTA KING 12 TUBE COMBO AMP TWEED AND BLACK
ZOOM APH6 ACCESSORY PACK FOR H6
GIBRALTAR 4 IN. CHROME PORT HOLE RINGS
SOUNDCRAFT EPM8 MIXER
STAGG FPSM FINGERPICKSET MEDIUM
MEINL NINO569R EGG MARACAS
AKG WMS40 MINI DUAL VOCAL & INSTRUMENT SET ISM2/3
DUNLOP PICK
ROLAND TD-17KV V-DRUM KIT
YAMAHA CG 142S CLASSICAL GUITAR NATURAL SPRUCE SOLID WOOD
YAMAHA TRANSACOUSTIC SILENT PIANO GC1 TA3 PE GLOSSY BLACK
YAMAHA TRBX504 BLACK
MEINL TA2AAB WOOD TAMBOURINE
AKG WMS470 PRESENTER WIRELESS SET
D'ADDARIO MICRO RECHARGEABLE TUNER
MEINL CLAMPTRI TRIANGLE HOLDER
FENDER AMERICAN PRO JAZZ BASS 5 STRING RW OLYMPIC WHITE
WITTNER METRONOME WALNUT 845131
YAMAHA DTX10K-X RW ELECTRONIC DRUM KIT TEXTURED CELLULAR SILICONE PADS REAL WOOD
YAMAHA YTR 4335GSII Bb TRUMPET SILVER PLATED
FENDER STRAT PICKGUARD WHITE
STAGG FPSL FINGERPICKSET LARGE
TAMA HP900RN
BOSS TR2 TREMOLO
YAMAHA YCL 255ES Bb STUDENT CLARINET ABS-RESIN SILVER PLATED KEYS Eb LEVER
YAMAHA FG800II NATURAL
YAMAHA TRBX174 BLACK
SENNHEISER XSW 1-825
AUDIO-TECHNICA ATH-M40X CLOSED-BACK HEADPHONES
K&M 238 MIC.HOLDER
IBANEZ ARTCORE EXPRESSIONIST AF95FM ANTIQUE YELLOW SUNBURST
DADDARIO ACCESSORIES STD ACRYLUX NITRA 25-PACK
MEINL DIRECT DRIVE CAJON PEDAL
MEINL CAJON MALLET BIG HEAD
YAMAHA APX 700II VS
MXR M107 PHASE 100
DUNLOP AALP04 JAVIER REYES TORTEX JAZZ 3 BLACK XL GUITAR PICKS .73 (6-PACK)
TAYLOR 816CE BUILDERS EDITION V-CLASS 
