Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

YAMAHA CLEANING SWAB FOR BASS CLARINET
EVANS EC2S FROSTED 8 IN.
DADDARIO ACCESSORIES CUSTOM SERIES 20FT CABLE
VIC FIRTH AJ2 AMERICAN JAZZ
AKG WMS40 MINI INSTRUMENT SET ISM2
DW SM103 MEDIUM FELT BEATER SM103
K&M 210/2 MICROPHONE STAND BLACK
K&M 16280 GUITAR WALL MOUNT BLACK
EVANS EC1 COATED 10 INCH
AKG WMS470 SPORTS SET
YAMAHA YCL CXA A CLARINET
YAMAHA FX 370C
DADDARIO ACCESSORIES AMERICAN STAGE PW-AMSM-25
STAGG NMC3R XLR CABLE DELUXE
GIBRALTAR SC-SLRM MOUNT
VIC FIRTH 5A AMERICAN CLASSIC WOOD TIP
GIBRALTAR SC-LBDB BEATER
EVANS 12 GENERA G1 COATED TOM HEAD
YAMAHA FP8500B
PAISTE 32 SYMPHONIC GONG
STAGG US60S SOPRAN UKULELE
IBANEZ GRG121DX-BKF
PROTECTION RACKET 1618 BASS DRUM CASE
EVANS 12 J1 ETCHED
YAMAHA KICK UNIT KU100 PEDAL
K&M 3/8 THREAD BOLT
KLOTZ TITANIUM PSP ANGLED 9M SUPREME GUITAR CABLE WITH SILENTPLUG
KALA LEARN TO PLAY STARTER SET
AHEAD STICK TIP 5AS
MEINL NINO37 HAND DRUM
DADDARIO ACCESSORIES 50B05
YAMAHA TRBX304 BLACK
YAMAHA TRBX305 BLACK
YAMAHA CLEANING SWAB FOR OBOE
AKG PERCEPTION 820 TUBE
K&M 150/1 BASSOON STAND
YAMAHA POLISHING GAUZE (L)
YAMAHA YSL 354V Bb VALVE TROMBONE
KLOTZ KIK 1,5M INSTRUMENT CABLE BLACK
BO-PEP 751.260 FLUTE FINGER REST LARGE HANDS
STAGG MAB16 BRILLIANT MARCHING CYMBAL SET
TAMA HP900PN IRON COBRA POWER GLIDE
MEINL 10" BYZANCE VINTAGE SPLASH CYMBAL
GRETSCH G5420T ELECTROMATIC SC LRL ORANGE STAIN
EPIPHONE LES PAUL CUSTOM EBONY
KLOTZ M1 MIC CABLE XLR-XLR 3M
EVANS 10 GENERA G2 CLEAR TOM HEAD
DADDARIO ACCESSORIES LUBRIKIT
REMO MF-1122-00 22 CONTROL RING
DADDARIO ACCESSORIES MICROFIBER CLOTH PWMPC
AKG PERCEPTION LIVE P3S
YAMAHA FX 370CBL 
