Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

DADDARIO ACCESSORIES GLASS SLIDE MEDIUM
DUNLOP PICK
EVANS 24 EQ3 BATTER CLEAR KICK HEAD
AKG K240 STUDIO
KLOTZ Y-CABLE SOCKET - 2X JACK
DUNLOP JH 1D JIMI HENDERIX WAH PEDAL
DADDARIO ACCESSORIES PW-P047A PEDAL COUPLER
K&M 12275 DOUBLE MUSIC STAND LIGHT BLACK
FENDER PURE VINTAGE '74 JAZZ BASS PICKUP SET
K&M 15281 PEG ADAPTER BLACK
MXR 78 CUSTOM BADASS DISTORTION
GRAPHTECH BLACK TUSQ XL PT-1200-00 BASS NUT FLAT SLOTTED 4-STRING
YAMAHA CG 122MC CLASSICAL GUITAR MATTE CEDAR NATURAL
STAGG SCL70 CLASSICAL GUITAR WITH CEDAR TOP NATURAL SATIN
DADDARIO ACCESSORIES PICK
K&M 14670 FOOTREST BLACK
TAYLOR 614CE V-CLASS
YAMAHA YFL 894WH CUSTOM GRENADILLA WOODEN FLUTE B FOOTJOINT
DADDARIO ACCESSORIES THUMBPICKS LARGE 5 PACK
DADDARIO ACCESSORIES PWP035N
STAGG CTUC5BK CLIP-ON TUNER
GRETSCH STREAMLINER G2622T-P90 FORGE GLOW
K&M 16235 GUITAR WALL MOUNT
BOSS BB1X BASS DRIVER
MEINL TAH2A-AB HEADED TAMBOURINE
TAMA RW30 RHYTHM WATCH MINI
FENDER FRONTMAN 10G
DUNLOP KH95 KIRK HAMMET WAH
EPIPHONE CASINO HOLLOWBODY ELECTRIC GUITAR NATURAL
FENDER AMERICAN STRAT BRIDGE SECTIONS
STAGG SIA-ST PERSONAL IN-EAR MONITOR AMPLIFIER
MEINL STA1SBK STUDIO TAMBOURINE
D'ADDARIO MICRO RECHARGEABLE TUNER
KLOTZ Y-CABLE SOCKET-2X JACK
AKG K52 HEADPHONES
ELECTRO-HARMONIX 12AX7 EH VACUUM TUBE
GRETSCH G5410T ELECTROMATIC MATTE WHITE
DADDARIO ACCESSORIES PWCT16 NS MICRO BANJO TUNER
EVANS 20 EQ3 RESONANT COATED WHITE
TAYLOR BROWN STACK GUITAR T-SHIRT XL
YAMAHA FX 370C
DADDARIO EJ17 PHOSPHOR BRONZE
FENDER LSR ROLLER NUT
FENDER MONOGRAM STRAP RWB
YAMAHA FX 370CBL
DADDARIO WOODWINDS RICO HEMKE ASAX 3
TAYLOR 814CE
AKG PERCEPTION 820 TUBE
CUSTOM SHOP EAGLE WORK SHIRT SMALL
DADDARIO ACCESSORIES GUITAR PICK 5-PACK MEDIUM
EVANS 10 UNO58 1000 COATED TOM HEAD
DUNLOP AALP03 TOSIN ABASI TORTEX JAZZ 3 WHITE XL GUITAR PICKS .60MM (6-PACK)
GRAPH TECH NUBONE LC-5000 F-STYLE GUITAR NUT FLAT/CURVED BOTTOM SLOTTED LUTHIER'S
SMT JACK PANELMOUNT
TAYLOR 816CE BUILDERS EDITION V-CLASS
REMO 22EMPEROR CLEAR
TAYLOR 512CE V-CLASS 
