Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

PROSS KÕLAPLAAT E2
SMT XLR MALE PANELMOUNT
STAGG BX CHORUS
STAGG 3/4 NATURAL-COLOURED CLASSICAL GUITAR WITH LINDEN TOP
K&M 17570 DUET GUITAR STAND
YAMAHA AC1MII VN ELECTRIC ACOUSTIC GUITAR VINTAGE NATURAL
K&M 16280 GUITAR WALL MOUNT BLACK
TAYLOR 512CE V-CLASS
STAGG FPSL FINGERPICKSET LARGE
DUNLOP JH 1D JIMI HENDERIX WAH PEDAL
DADDARIO ACCESSORIES 50PLJS01 PLANET LOCK
PROSS KÕLAPLAAT D#2
STAGG PHB-100 PICK HOLDER VARIOUS COLOURS
K&M 17590 EL.GUITAR STAND
YAMAHA C5X POLISHED EBONY GRAND PIANO 200CM
YAMAHA YFL 874WH CUSTOM GRENADILLA WOODEN FLUTE B FOOTJOINT
AKG PERCEPTION 820 TUBE
GEWA BRIDGE INLAYS BONE FOR CLASSIC GUITARS STRAIGHT
YAMAHA AMT1310 TOM TOM 13X10
K&M 19695 UNIVERSAL JOINT
FENDER DELUXE HANGING GUITAR STAND
YAMAHA TRBX 174EW TBL
PARTSLAND OUTPUT SOCKET GOLD-PLATED
AKG PERCEPTION 120
K&M 166 PIANO TUNING LEVER
PROMARK PHMB HANGING MALLET BAG
GIBRALTAR 5711S SINGLE PEDAL
SHURE BLX14ECVL LAVALIER WIRELESS SYSTEM
DADDARIO ACCESSORIES SATRIANI PICK SET BLACK 10-PACK
ERNIE BALL FINGER PICK
TAMA CB90R IRON COBRA RUBBER BEATER
K&M 23105 TABLE MIC.STAND
DADDARIO ACCESSORIES LEMON OIL CLEANER PLMN
DADDARIO ACCESSORIES FINGER PICKS LARGE 5 PACK
K&M 11450 BAG
EVANS EC2 COATED 13 INCH
YAMAHA CG 122MC CLASSICAL GUITAR MATTE CEDAR NATURAL
FENDER MONOGRAM STRAP BGB
STUDIO49 GAD GLOCKENSPIEL
AHEAD STICK TIP BALL
ERNIE BALL VP JUNIOR POT 250K MONO
YAMAHA CX40III CLASSICAL GUITAR NATURAL WITH PIEZO
PROTECTION RACKET ACOUSTIC GUITAR CASE
DADDARIO ACCESSORIES SHINE PWPL03
ERNIE BALL .013 RPS PLAIN SINGLE STRING
SHURE SM63LB OMNIDIRECTIONAL DYNAMIC REPORTER MICROPHONE BLACK
YAMAHA BB 234 VINTAGE WHITE
YAMAHA GC 22C GRAND CONCERT CLASSICAL GUITAR NATURAL CEDAR SOLID WOOD
GIBRALTAR DRUM THRONE 6608 MOTORCYCLE SEAT
DUNLOP JCS-50C JOHNNY CASH CAPO
BOSS OS2 OVERDRIVE DISTORTION
STAGG SW420A SNARE WIRE 14 INCHES STANDARD
TAMA SUPER SENSITIVE HI-CARBON SNAPPY
PROSS KÕLAPLAAT C#2
GRAPH TECH NUBONE LC-5000 F-STYLE GUITAR NUT FLAT/CURVED BOTTOM SLOTTED LUTHIER'S
FENDER FA610 ACOUSTIC GUITAR BAG
BOSS BF3 FLANGER
YAMAHA FG820 BLACK
BOSS BD2 BLUES DRIVER
FENDER CLASSIC SHELL PICK PACK 12PCS MEDIUM
DADDARIO ACCESSORIES PWCT10 HEADSTOCK TUNER
DADDARIO ACCESSORIES PW-P047A PEDAL COUPLER
TAKAMINE GD71CE-BSB
K&M 17580 AC.GUITAR STAND HELI BLACK
DADDARIO ACCESSORIES STD ACRYLUX RESO 25PACK
TAYLOR 414CE V-CLASS 
