Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

MEINL NINOSET515 RHYTM ASSORTIMENT
VIC FIRTH 3AN AMERICAN CLASSIC NYLON TIP
HOHNER MARINE BAND 1896 F-MAJOR
DADDARIO EJ44 PRO ARTE
VIC FIRTH CMN CLASSIC METAL NYLON TIP
MEINL MDJBS DJEMBE BAG SMALL
GIBRALTAR 9608SFT SOFTY THRONE
KLOTZ ATCM0200 TWINCABLE 2M
MXR M81 BASS PREAMP
STAGG 3/4 UNIVERSAL ELECTRIC BAG
EVANS 12 ONYX 2-PLY COATED
VINCENT BACH Bb CORNET 181 STRADIVARIUS
HOHNER BLUES HARP C-MAJOR
EVANS 22 EQ3 BATTER COATED
MEINL SU18 TRADITIONAL ALUMINIUM SURDO
MEINL PERCUSSION CONGA HEADLINER WALNUT BROWN
MEINL 20" AMUN POWERFUL RIDE CYMBAL
DADDARIO EPN120 PURE NICKEL
GIBRALTAR 4 IN. WHITE PORT HOLE RINGS
KLOTZ ATCC0300 RCA TWINCABLE 3m.
PROTECTION RACKET 2018R FLOOR TOM CASE
EVANS 20 EMAD2 CLEAR BATTER HEAD
VIC FIRTH AJ6 AMERICAN JAZZ
EVANS 18 EQ3 BATTER CLEAR BASSDRUM HEAD
YAMAHA YAH 203 ALTO HORN
MOOER TENDER OCTAVER MKII MOC3 PRECISE OCTAVE PEDAL
DADDARIO ACCESSORIES 50B06 WOVEN GUITAR STRAP TWEED
TAYLOR 110E
YAMAHA PROFESSIONAL BB TUBA YBB-623S
DADDARIO EZ890 85/15 BRONZE
GRETSCH STREAMLINER G2622T-P90 FORGE GLOW
ROLAND KSC90BK BLACK STAND STAND FOR FP90
FENDER PRO JUNIOR III
YAMAHA YTR 8345S CUSTOM Bb TRUMPET SILVER PLATED
K&M 18846 BAG FOR BABY SPIDER PRO
YAMAHA CPX 700II DSR 
