Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

AHEAD STICK TIP TIP
YAMAHA PIANO COVER SU118
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BOSS EQ200 EQUALIZER
YAMAHA SA2200 VS
DADDARIO ACCESSORIES PWCT10 HEADSTOCK TUNER
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DADDARIO ACCESSORIES DRILL BIT PWDBPW01
KLOTZ TM.STEVENS FUNKMASTER ANGLED 6M
K&M 16280 GUITAR WALL MOUNT WHITE
DADDARIO ACCESSORIES STD ACRYLUX RESO 25PACK
K&M 210/6 MIC.BOOM STAND BLACK
KLOTZ M1 MIC CABLE 1M FEMALE XLR-JACK
BLACKSTAR ID CORE 40 V4 COMBO
YAMAHA PACIFICA 012BLII ELECTRIC GUITAR BLACK
YAMAHA MOUTHPIECE BRUSH (L)
ERNIE BALL COATED BRONZE ACOUSTIC 13-56
KLOTZ ICE ROCK MIC CABLE 7.5M XLR-XLR
YAMAHA TRBX505 TRANSLUCENT BROWN
STAGG CTUC1 CLIP-ON TUNER BLACK
YAMAHA YFL 222 FLUTE
ORANGE CRUSH MINI 3W GUITAR COMBO
STAGG SCL70 CLASSICAL GUITAR WITH CEDAR TOP NATURAL SATIN
YAMAHA GNS-MS01 GENOS SPEAKERS
YAMAHA AC1MII VN ELECTRIC ACOUSTIC GUITAR VINTAGE NATURAL
DADDARIO ACCESSORIES THUMBPICKS LARGE 5 PACK
STAGG SPM-435 HIGH RESOLUTION 4 DRIVERS SOUND ISOLATING EARPHONES TRANSPARENT
K&M 16280 GUITAR WALL MOUNT CORK
DADDARIO ECG25 CHROMES
DADDARIO ACCESSORIES PWCT02 TUNER
TAYLOR 514CE V-CLASS
FENDER THUMB-REST FOR PRECISION BASS® AND JAZZ BASS
YAMAHA TF1
EVANS EC2 COATED 13 INCH
MOOER CRUNCHER DISTORTION
KLOTZ JOE BONAMASSA GUITAR STRAIGHT 6M
YAMAHA YUS3S PE
YAMAHA PACIFICA 311H VINTAGE WHITE ELECTRIC GUITAR
YAMAHA YFL 894WH CUSTOM GRENADILLA WOODEN FLUTE B FOOTJOINT
STAGG NMC10XPR XLR/PLUG CABLE 10M
YAMAHA ACOUSTIC SILENT PIANO YUS3 SH3 POLISHED EBONY
ROLAND JC-22 JAZZ CHORUS
YAMAHA TRBX174 OVS
DADDARIO ACCESSORIES HYGROMETER PWHTS
TAYLOR T5 STANDARD RED EDGEBURST
YAMAHA YW10T WIRELESS TRANSMITTER
YAMAHA ARIUS YDP-S35 DIGITAL PIANO BLACK
MOOER ENSEMBLE KING CHORUS PEDAL
YAMAHA TYROS 5 61 KEY COVER BLACK
SHURE BETA56A
DADDARIO ACCESSORIES MICROFIBER CLOTH PWMPC
TAYLOR 914CE V-CLASS
YAMAHA PACIFICA 012WHII ELECTRIC GUITAR WHITE
VIC FIRTH M122 KEYBOARD MALLET RVS SOFT
CASIO AP-550 CELVIANO DIGITAL PIANO, BLACK
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KLOTZ ATCJ0600 TWINCABLE 2JACK/2RCA 6m.
IBANEZ GRX70QA-TBB GIO TRANSPARENT BLUE SUNBURST
FENDER SQUIER AFFINITY SERIES STRATOCASTER HSS PACK MN LAKE PLACID BLUE
K&M 17550 GUITAR STAND MEMPHIS TRAVEL
ORANGE PPC 212V
YAMAHA ARIUS YDP-146 DIGITAL PIANO WHITE
TAYLOR 812CE
IBANEZ RG421-MOL MAHOGANY OIL ELECTRIC GUITAR
YAMAHA APX 700II BL 
