Great Tone, Easy Playability, and Ecological Accountability
The Taylor 326ce is a Grand Symphony-sized A/E built with great tone, easy playability, and ecological accountability in mind. The 326ce’s responsibly sourced urban ash back and sides deliver a tonal response that mimics high-quality Honduran mahogany, while its neo-tropical mahogany top yields a direct, fundamental-heavy sound that demands attention, all enhanced by Taylor’s revolutionary V-Class bracing. This acoustic-electric guitar’s scooped, treble-side soundport cutaway not only gives access to the instrument’s upper frets, it also enhances its warmth and tonal balance. Cutting-edge Taylor Expression System 2 electronics provide a clear and accurate amplified sound along with feedback control for an ideal gigging instrument. Complete with head-turning satin black tuners, a 3-ring rosette, black binding, and gemstone inlays, Taylor’s 326ce is a feast for the senses.
V-Class Bracing: a sonic revelation
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).
V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other.
Grand Symphony body style: huge, balanced tone with articulation
Bob Taylor developed the Grand Symphony body style to push the sonic envelope (yet again). Deeper, fuller, and louder than a Grand Auditorium — or a dreadnought, for that matter — the Taylor 326ce serves up sonorous, piano-esque lows, solid midrange, and confident treble. Whether strumming big chords or flatpicking intricate runs, this instrument gives your notes articulation — even with a light attack. The Grand Symphony is a guitar to be reckoned with.
Cutting-edge Taylor Expression System 2 electronics
If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics built into the 326ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the 326ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.
Taylor 326ce Acoustic-electric Guitar Features:
- Grand Symphony body style gives you balanced sound and incredible projection
- Back and sides crafted from responsibly sourced urban ash
- Neo-tropical mahogany top with V-class bracing yields amazingly rich tonality with impressive projection
- Innovative soundport cutaway gives access to the upper frets while enhancing tone
- Taylor ES2 Expression System electronics deliver superior plugged-in tone
- Head-turning satin black tuners, 3-ring rosette, black binding, and gemstone fingerboard/headstock inlays in Italian acrylic

DUNLOP JOHN PETRUCCI JAZZ III PICK PACK
YAMAHA C30M CLASSICAL GUITAR NATURAL MATTE
GIBRALTAR SPECIAL STANDS TOM / WITHOUT L-RODS 9813DP
PEARL P2052B ELIMINATOR TWIN PEDAL BELT DRIVE
SENNHEISER HD25 LIGHT
YAMAHA C40 CLASSICAL GUITAR NATURAL
K&M 17670 GUITAR STAND MEMPHIS PRO
DADDARIO WOODWINDS RICO 25BOX CLARINET 3 SINGLE REED
YAMAHA DZR 12D
YAMAHA CG 162C CLASSICAL GUITAR NATURAL CEDAR SOLID WOOD
STAGG SWR PB45 TOP WINE RED VINYL
TAYLOR ES AA BATTERY CLIP
TAYLOR GRAY HEADSTOCK T-SHIRT XXL
GRETSCH BARSTOOL 1883
DUNLOP 654C POLISH WITH CLOTH
DUNLOP AALP03 TOSIN ABASI TORTEX JAZZ 3 WHITE XL GUITAR PICKS .60MM (6-PACK)
YAMAHA FX 370C
K&M 28308 PANEL 8XLR
IBANEZ GA5TCE CLASSICAL GUITAR W/ PICK-UP
STAGG SPM-235 HIGH-RESOLUTION SOUND-ISOLATING IN-EAR MONITOR BLACK
DUNLOP KH95 KIRK HAMMET WAH
PEARL FLUTE 525 RE QUANTZ
IBANEZ AF75-TRS ARTCORE TRANSPARENT RED SUNBURST
TAKAMINE GD30-BLK
BOSS KTN50 AMP COVER
K&M 49411 PANEL 1-SPACE
TAYLOR 612CE V-CLASS
TAKAMINE GD38CE-BLK DREADNOUGHT 12-STRING ACOUSTIC GUITAR BLACK
KLOTZ M1 MIC CABLE 2M XLR-XLR
DUNLOP NC65 NECK CRADLE
K&M 17541 ACOUSTIC GUITAR STAND BLACK
KLOTZ AY50100 Y-CABLE 1M
DADDARIO WOODWINDS RICO LA VOZ ASAX MEDIUM
DADDARIO WOODWINDS LA VOZ TENOR SAXOPHONE REEDS 5-PACK RKC05MS
STAGG NMC10R N SERIES XLR/XLR CABLE 10M
STAGG SCL70 CLASSICAL GUITAR WITH CEDAR TOP NATURAL SATIN
DADDARIO ACCESSORIES SATRIANI PICK SET BLACK 10-PACK
DADDARIO ACCESSORIES 50B05
FENDER ESC105 EDUCATIONAL SERIES WN VINTAGE NATURAL
YAMAHA PIANO COVER C3/C3 STUDIO
ROLAND CUBE BLUES STAGE
TAYLOR GS MINI MAHOGANY
YAMAHA THR100H
DADDARIO ACCESSORIES SMALL INSTRUMENT HUMIDIFIER
FENDER CROSSED GUITARS ENAMEL PIN
DADDARIO ACCESSORIES THUMBPICKS LARGE 5 PACK
MOOER HUSTLE DRIVE DISTORTION MDS2
BOSS DB30 DR.BEAT METRONOME
YAMAHA F370 TBS
STAGG PHB-100 PICK HOLDER VARIOUS COLOURS
BOSS PH3 INFINITE PHASER
YAMAHA HPH-100 BLACK
FENDER NYLON PICKPACK
K&M 12275 DOUBLE MUSIC STAND LIGHT BLACK
DADDARIO ACCESSORIES 50CL000 SOUNDHOLE STRAP
DUNLOP UNI WRENCH
YAMAHA FG800II NATURAL
DUNLOP PICK
YAMAHA CG 162S CLASSICAL GUITAR NATURAL SPRUCE SOLID WOOD
EPIPHONE UPTOWN KAT ES EMERALD GREEN METALLIC
K&M 17513 GUARDIAN STAND FOR 3 GUITARS
K&M 49122 RACK&M OUNT STORAGE
TAYLOR 814CE
AHEAD STICK TIP TIP
STAGG KEBA10 KEYBOARD STOOL
TAYLOR 110E 
