Here are some tips on getting optimum performance from the B9 Organ Machine.
1. The B9 is best as the first pedal in an effects chain. Place modulation delay and reverb effects after the B9. The unit will not perform well if placed in the effects loop of a guitar amp.
2. The unit performs best using the bridge pickup of a guitar. If a guitars pickup has a weak output, performance can be improved by putting a clean boost or a compressor in front of the B9. It is not advised to place a distortion or overdrive in front of the B9. This will muddy up the input signal and cause the tracking to be unstable. If overdrive or distortion is desired it’s best to place it after the B9.
3. Some guitar amplifiers have a uneven peaky frequency response that may cause some sounds to be over accentuated. A compressor in front or after the B9 can help smooth this out. This helps for a guitar player who’s playing is less than desirable in the dynamics department.
4. The B9 was designed to be used with a guitar. The unit can be used with a bass guitar BUT the range the bass player can play will be limited. The unit tracks best above the C note, third fret on the A string. Below that performance is compromised and not recommended.
5. The top range using a guitar in standard tuning is the 23rd fret. Above that the organ sound will not be heard.
6. Garbage in Garbage out. The B9 tracks great and will follow what ever you play, but it is not a talent booster. Sloppy guitar playing will sound like a sloppy organ player. The B9 will bend notes just a regular guitar does. Organs do not bend, so for a more authentic organ sound limit bending.
– Transform the tone of a guitar or keyboard into that of a convincing full body, electric organ
– 9 presets that were finely tuned to emulate some of the most popular and classic electric organ tones
– Control over percussive attack level, modulation speed, organ and dry volume
– Rugged and easy to use
– Use together with the C9 for dual keyboard possibilities!
– EHX 9.6DC-200 PSU included
– Dimensions in inches: 4.0 (w) x 4.75 (l) x 2.25 (h)
– Dimensions in mm: 102 (w) x 121 (l) x 89 (h)

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EVANS 18 EQ3 BATTER CLEAR BASSDRUM HEAD
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MXR M116 FULLBORE METAL
PROMARK SR3BLA STICK RAPP DRUMSTICK WRAP BLACK SPLATTER
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DADDARIO ACCESSORIES BEATLES 15 PAKK PICK TIN STRIPES
STEINBERG CUBASE ARTIST
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EVANS EC1 KAETUD 12 INCH
BOSS CEB3 BASS CHORUS
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EVANS 22 EQ3 RESONANT KAETUD VALGE
STAGG PROFESSIONAALNE 12 X 11 TOM KOTT
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PRS TREMONTI - MT15 HEAD
EVANS EC1 KAETUD 10 INCH
DADDARIO KRDL KAPLAN PREMIUM ROSIN LIGHT
EVANS 20 EMAD2 CLEAR BATTER HEAD
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K&M 16075 KÕRVAKLAPPIDE LAUASTATIIV MUST
KEELEY KATANA BOOST MINI
K&M 16280 KITARR WALL MOUNT CORK
LINE6 POD X3
DUNLOP 83CG ACOUSTIC TRIGGER CAPO
JBL LSR 310SP STUDIO ACTIVE SUBWOOFER
KORG OT120 ORCHESTRAL TUNER
DADDARIO ACCESSORIES PICK HOLDER
GEWA ÕPILASE VIIULI POOGEN 1/4
K&M 16240 KITARR WALL MOUNT MUST
ELECTRO HARMONIX SILENCER NOISE GATE
IBANEZ GSR200B-WNF ELEKTRIBASS WALNUT FLAT
DADDARIO ACCESSORIES STD ACRYLUX NITRA 25-PAKK
YAMAHA MX49 V2 BLUE
ERNIE BALL .015 RPS PLAIN ÜKSIK KEEL
YAMAHA MX61 V2 BLUE
MEINL SH4BK ARTIST SEERIA SHAKER
ERNIE BALL .040 WOUND ÜKSIK KEEL
SENNHEISER 1.5M DUAL-SIDED KAABEL HD 25 LIGHT-LE
DADDARIO ACCESSORIES TURBO TUNE PEG WINDER GLOW
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ELECTRO HARMONIX BASS MONO SYNTH
ELECTRO HARMONIX FREEZE
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K&M TABLET PC HOLDER BIOBASED MUST
EVANS 12 ONYX 2-PLY KAETUD
DADDARIO KACR6 KAPLAN ARTCRAFT ROSIN LIGHT
EVANS 20 EQ3 RESONANT MUST
MOOER PITCHBOX HARMONY/PITCH SHIFTING PEDAAL 
